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FINGERSTYLE GUITAR LESSONS

Easy Blues on Acoustic Guitar for Beginners

Combine Chords and Melody

The Blues is one of the simplest styles of music of the 19th Century.

Today I want to show you how to play an easy 12 bar blues on your acoustic guitar using the fingerstyle technique.

In this guitar lesson, we are going to combine chords and melody. This is an entertaining approach because it allows you to play the melody along with the chords.

I did my best to write the easiest blues arrangement for beginners so that almost everyone can give it a try and have fun playing this easy Blues.

Watch the video several times to learn the sound of each chord, then grab your guitar and play along.

Let’s get started.

1. Twelve Bar Blues Structure Explained

The twelve-bar blues is the most popular blues structure in popular music. This structure is the number one formula every guitar player learns.

The most prominent characteristic of the twelve-bar blues is the use of Dominant 7th chords. These chords can be played in many different blues variations, but the most common twelve-bar blues is played with I7 – IV7 – V7 chords of a key.

This lesson will learn the 12 bar blues in A, or called “Blues in A.”

1.1 Twelve Bar Blues Structure n.1

Below you can see the blues structure presented in its most simple form. Notice that all the chords are Dominant 7th or called 7th chords.

Some of the chords will be repeated several times, others just twice.

I recommend that you play the chords along with the sheet music. Each chord should be strummed or plucked four times (as shown by the repeat sign) in a steady beat and as evenly as possible.

1.2 Twelve Bar Blues Structure n.2

A simple variation for the twelve-bar blues could be adding the D7 on the second bar.

This is a straightforward change that will make a huge difference, especially if you want to play a slow blues.

Adding the additional D7 chord on bar number 2 will make the blues progression less static and more lively.

2. Twelve Bar Blues Chords | Dominant 7th Chord

In this section, I will show you how to play the dominant 7th chords, also called blues chords.

The blues chord’s main characteristic is the extended 7th (the seventh note starting from the root note) added to the chord.

A basic major or minor chord is made of three notes, the I III and V degree of the scale. These three notes are the root note (I), the 3rd (III), and the 5th (V).

The Dominant 7th chord will have these three notes, I – III – V plus the VII degree. The additional note we add to the chord is called “extension,” and the chord will be called “extended chord.”

In the example below, I will show you the difference between the C major chord and the C7 chord (dominant 7th).

2.1 Twelve Bar Blues Chord Diagram for Beginners

It’s time to learn how to play the twelve-bar blues chords.

As I mentioned, there are so many different ways of playing blues chords. Let’s get started with the blues chords for beginners, which are chords played in the neck’s first position.

I suggest that you strum the chords several times. Adjust the left-hand position using the three left-hand golden rules we talked about in the beginner course. Try to fix any string buzzing and noise.

Note: The disadvantage of learning such easy blues chords is that you can’t transpose them in a different key. If you want to play, for example, a blues in C major, you will have to learn the C7, F7, and G7 shape.

2.2 Twelve Bar Blues Chord Diagram with Bar Chords

Another way of playing blues chords is to learn the ones played with bar chords.

The advantages of learning the blues chord progression with the bar chords are that they can be easily transposed in different keys.

All you’ll have to do is move the chord in a different position to play a different chord. The shape will be the same.

Check the diagram below if you want to learn how to play the twelve-bar blues chord progression with bar chords. Notice that the E7 is played without the bar chord, but the absence of open strings makes this chord easy to transpose in a different neck position.

2.3 Twelve Bar Fingerstyle Blues Chords

Now let me show you my favorite twelve-bar fingerstyle blues chords.

The awesome thing about playing blues chords with the fingerpicking technique is that we can simplify the chords a lot.

In this section, I will show you how to play blues chords on three strings only. This is possible because we will only pluck the three most important notes of the Dominant 7th chord, the I – III – VII.

These are the notes we will play for each chord.

Check the tab below to learn the fingerstyle blues chords.

3. Twelve Bar Blues in This YouTube Lesson

Now that we discussed the basics of the twelve-bar blues, it’s time to dive into the lesson I posted today on my YouTube channel.

So far, I know that we only covered a few basics, but I trusted me. I really did my best to make this blues as simple as possible.

Also, I think that with the information you learned so far, playing the blues could be kind of boring. Nobody wants to strum a couple of dominant 7th chords all day long.

Instead, we will focus on how to play the blues on acoustic guitar using the fingerpicking technique. I don’t consider this lesson to be the “Blues for Absolute Beginner” type of thing but more of a simple, intermediate twelve-bar fingerstyle blues.

Learn one chord at a time if you have to, but don’t get demotivated just because it sounds difficult.

There are three elements in this twelve-bar blues (in order):

1. The melody
2. The percussion
3. The chord

3.1 Easy Blues Melody with The Pentatonic Scale

The melody in this blues lesson is straightforward.

Each red box contains many single notes (most of the time 4) that can be played with either a guitar pick or the right-hand fingertip.

The scales I used for the blues melody are the A major and A minor Pentatonic scale.

The melody structure goes as follows:

• A7 and E7: Melody using the A major Pentatonic.
• D7: Melody using the A minor Pentatonic.

3.2 The Percussion

Practice this simple percussive approach I call “Thumb Slap,” in which you strike the bass note with the thumb while simultaneously strumming the top three strings with the middle finger.

This percussive approach is only used one time for each bar.

Percussion in the yellow square.

3.3 The Blues Chords in This Lesson (Power Chords)

In this lesson, the chords are straightforward and different from what you learned in this article.

Because we are playing a slow shuffle blues, the basic blues chords for beginners, the blues chords with bar chords, and the fingerstyle chords we learned at the beginning of this article won’t work.

Instead, we are going to use a different type of chord called “Blues Power Chord.”

The Blues Power Chord has two notes only; the I and V. We can play around with the V degree and go up a whole step.

Notice how the chords in the square have two notes.

For the A7, you will play two notes on the 4th string. The first one is on the 4th fret, the F sharp note (F#), the 6th note from the Root note A. The second note on the 2nd fret, the E, is the 5th note from E.

We will follow the same chord structure for the D7 too.

4. How to Practice these Blues

I worked really hard to write the easiest arrangement for beginners. I don’t think there is any other way to make this solo easier than that.

If you are a beginner and want to start playing around with these easy Blues, you are more than welcome!

Follow these three steps:

1. Learn the melody first. Focus only on the top two strings and spend a little bit of time learning the melody.
2. Once you familiarize yourself with the melody, add the single percussion on the strings.
3. The last step will be to add the chords.

As always, take things step by step and learn one thing every day. Don’t get frustrated if one day you don’t see the progress. Keep moving forward and have fun playing guitar.

4. Additional Resources – The Pentatonic Scale in Blues

The Pentatonic scale is the most used in Blues.

This scale is just five notes (from the word Penta) and is the most popular scale for guitar players and other musicians.

One of the reasons why guitar players love the Pentatonic scale is its simple shape. The Pentatonic formula is straightforward:

• For the major Pentatonic, only play the I II III V VI from the major scale.
• For the minor Pentatonic only play the I III IV V VII from the minor scale.

Check the diagram below to learn the difference between the major and minor Pentatonic in A.

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Welcome to Jim Bruce’s site – the place where you can explore the road to blues guitar from Texas To The Delta. You’ll find plenty of free acoustic blues guitar lessons videos throughout the site, and also interesting bio-type articles about various blues men. I’ll also give you my take on some fingerpicking blues guitar players and how you can copy their techniques. If you want to get serious and really want to learn how to play blues guitar in the old way, I have a set of 40 complete video lessons including blues guitar tabs that show exactly how it was done.

Use the search bar on the right hand side and have a good time – if you need anything, or have questions, you can use the contact form on the contact page (makes sense), or Skype me here:

Take it easy, Jim

(Online Blues Guitar Lessons Review)

Acoustic Blues Guitar Lessons – Where Did The Blues Come From? – The Mississippi Roots

The roots of blues guitar stretches right back to the end of slavery and beyond, when workers would ease their sorrows and work load by singing the so-called ‘field holler’, which was a very rhythmic song without music that followed a call and response form. The idea was that the cadence of the lyrics would coincide with the tempo of the work and make team work more effective.

Gandy Dancers was the name given to teams of men who’s job it was to put rails back into place for the many local railroads from the Mississippi Delta right up to Chicago. One man might lead the singing, and the rest joining in on the chorus. At the end of a line of verse, or chorus, the whole team would push on the end of a long steel lever and the rail would move over an inch or two.

For many years, slaves were simply not allowed to own or even touch a musical instrument such as a guitar or a drum, never mind learn blues guitar. Apart from spending 12 to 14 hours a day doing gut-busting hard work, the masters simply didn’t want their workers to engage in any activity that raised their spirits and fostered thoughts of freedom. This is why drums in particular were banned. Drums were a powerful feature of African life and played a big role in maintaining the social fabric. However, it seems that some slave owners did allow some musicians to play at their private parties and no doubt the natural interest in music just can’t be stifled like that.

After the end of slavery, the negro was in general extremely poor and couldn’t afford to buy guitars or fiddles, so they made their own. Lightnin’ Hopkins recalls making a one string fiddle with a broom handle, cigar box and length of wire pulled from the screen door! Most of these rudimentary guitars and fiddles had between one and four strings, and must have been incredibly hard to tune and keep in tune. Obviously, they wouldn’t have frets and there wasn’t a lot of finesse about the blues music that emanated from these home made efforts. Often they were played with a bow or a bottleneck. Bottleneck or slide (sometimes they were fretted with a knife) Delta blues guitar is perhaps the sound we most think of when thinking of those times in the Southern States in general and the Delta in particular.

Stella Guitar

A huge event in the history of blues guitar was purely commercial, as it often is. The Sears company began a sales project that would become a modern phenomenon by offering sales of products at a distance using catalogs that were distributed far and wide across the United States. For many people living out in the country areas, it was Godsend as they could buy things without trekking 100 miles to the nearest big store.

The range of things to buy was indeed broad, and growing monthly it seemed. One of the items on sale a basic steel strung Stella Harmony Guitar, which was priced at just one dollar. Elizabeth Cotton bought here first guitar by saving for many weeks from her earning as a maid and the rest, as they say, is history. It’s part of folk legend that she didn’t realize it was for right handed players, and so she started to learn how to play blues guitar by playing it upside down as a leftie, having no access to anyone able to give here guitar lessons! (Stella Image Src: Wiki Commons )

It isn’t known how many budding blues men and women were created because of the availability of mass produced cheap instruments like the Stella, but it was probably a deciding factor in how the blues evolved in those early days. It’s also probable that a guitarist ‘chanced his arm’ by buying what he could afford and hoping that the guitar that arrived played well! The specifications for such mass produced instruments must have allowed for a lot leeway in tolerances, for example. If you bought a bad one, you didn’t complain but just learn how to play it, simple as that. A legend like Muddy Waters was quite scornful about local guitar teacher anchorage quality ‘Just give me any guitar and I’ll make you cry’, he was reported to have said.

The following article was taken from Britannica.com and gives a basic history of Delta Blues:

The Mississippi Delta style of blues—or, simply, Delta blues—emphasized solo performances by singers accompanying themselves on guitar and relying on a host of distinctive techniques, such as the sliding of a bottleneck or metal object (such as a knife) along the fingerboard to bend notes, the use of melodic phrases on the guitar to respond to the voice in an improvised call-and-response pattern, and a reliance on vamps (repeated chord progressions that precede the entrance of the voice) and melodic and rhythmic figures that often deviated from the typical chord progressions and formal 12-bar (measure) structure found in most blues performances.

Above all, Delta blues music was marked by a particular intensity of vision that was both projected through the lyrics of the songs and underscored by the players’ often aggressive attack on the guitar strings. Song topics encompassed familiar laments of failed romance, stories of sexual escapades (often described in double-entendre references), and tales of rambling and life on the road, as well as apocalyptic musings on salvation and damnation.Performance venues were often informal and happenstance. W.C. Handy, composer of the classic “”St. Louis Blues”” (1914), recalled an early encounter with blues music about 1903 at a train station in Tutwiler, Mississippi, where he heard a man dressed in rags singing while playing the guitar with a knife.

Performances also took place at juke joints (informal roadside taverns for drinking and dancing) on plantations and street corners. Folk music scholars John and Alan Lomax, meanwhile, documented Delta blues music in field recordings made at the Mississippi State Penitentiary, colloquially known as “Parchman Farm,” in Sunflower county, Mississippi.Scattered accounts by travelers and researchers indicate the prevalence of blues music in the Delta region since at least the turn of the 20th century, although no commercial recordings were made until the late 1920s. Associated primarily with male singer-guitarists, the Delta sound stood in marked contrast to earlier recordings of the “classic” blues singers, such as Bessie Smith and Ma Rainey, which had emphasized female vocalists working with small combo accompaniment.

The Paramount record label enjoyed great success with the Delta blues recordings of Charley Patton, who had been a farmworker on Dockery Farms cotton plantation in Sunflower county, especially his “”Pony Blues,”” which was released in 1929. The following year, Paramount made a series of recordings by Eddie (“Son”) House, whose music failed to find a large audience at the time but exerted a powerful influence on later blues performers, notably Robert Johnson and Muddy Waters. Tommy Johnson, who recorded for both the Victor and Paramount labels, also contributed to the Delta legacy with his widely emulated guitar style; his “”Big Road Blues”” (1928) inspired the Mississippi Sheiks’ “”Stop and Listen Blues”” (1930) as well as the 1968 rock hit “”On the Road Again”” by the band Canned Heat.

The recording of blues music was sharply curtailed during the Great Depression, yet a few traditional blues musicians from Mississippi continued to find opportunities to record. Skip James developed a deeply personal blues style on guitar—often using an unconventional tuning—as well as on piano. Although his 1931 recordings for Paramount sold poorly at the time, songs such as “”Hard Time Killing Floor Blues,”” “”Devil Got My Woman,”” and “”I’m So Glad”” later gained recognition as blues classics; the latter song was featured on a 1966 hit album by the rock-music trio Cream. Booker (“Bukka”) White, another prominent Mississippi guitarist, enjoyed commercial success with his 1937 recording “”Shake ’Em on Down,”” and in 1940 he recorded an especially influential group of songs, including “”Parchman Farm Blues”” and “”District Attorney Blues,”” both of which addressed issues of social justice that were typically avoided in traditional blues music.

Robert Johnson, born in Hazelhurst, Mississippi, in 1911, was the most important Delta musician of the era, although his recorded legacy is limited to 29 songs—the output of sessions held in Dallas and San Antonio, Texas, during the last few years of his life. Drawing on the work of earlier Mississippi blues artists, notably Son House and Skip James, as well as on techniques learned from various recordings, Johnson crafted a polished, fluid guitar style that was widely emulated by later blues and rock musicians.

Only his “”Terraplane Blues”” sold well during his lifetime, but in later decades, many musicians recorded Johnson’s other compositions, such as “”Sweet Home Chicago,”” “”Love in Vain,”” “”I Believe I’ll Dust My Broom,”” and “”Come On in My Kitchen.”” Robert Johnson, The Complete Recordings, released by Columbia in 1990, became a surprise crossover hit, ultimately selling more than a million copies and earning a Grammy Award for best historical album.

Characteristics Of The Delta Blues Guitar Playing Style.

The drum was an important part of the African slave heritage. That and the strong rhythm were the foundations of this new music. The guitar was the perfect instrument, as it was light and easily carried anywhere for parties or gigs, and was becoming at the same time cheaper buy also better quality. Fingerpicking appeared very early on and there is evidence that this style of playing stringed instruments existed in Africa for a long time before. However the new acoustic blues rhythm wasn’t as complicated and leaned heavily on simple verse structures. The thumb very often played in the monotonic bass style, where one or more bass string was plucked with the picking thumb and then damped heavily with the palm of the hand.

The sound was more of a ‘thud’ or ‘thrum’ than a musical note and it probably replaced the drum within this musical form. At the same time, the fingers played a separate melody on the treble strings. It could be very basic or quite complex, à la Skip James. Other blues men, like Son house, only had one basic style of playing and only in one tuning, open G. Listen to Death Letter Blues video from Youtube below:

By far the biggest component of the classic blues is the emotional feel of the music, and any acoustic blues guitar lessons need to focus on this aspect of the blues. When Son House is playing his National Steel Guitar in that wild thrashing style, he closes hi eyes while singing and he has simply gone to another place! You can’t fake it, or try to sound ‘bluesy’, it’s either in your soul or it’s not. Incidentally, Son House was so nervous after being re-discovered in the 60s, after 30 years of obscurity, on his first gig he had to play facing a corner while on stage – he couldn’t face the audience! Incredible for such a genius.

The monotonic style of playing wasn’t limited to the Southern States by any means. Lightnin’ Hopkins and Mance Lipscombe perfected the style and in particular Big Bill Broonzy in Chicago (who was also from the South by the way) adapted the technique to produce an exciting swing style fingerpicking style which is incredibly difficult to copy.

Blues Guitar Lessons Near Me Abell MD 20606

Blues Guitar Lessons Near Me Abell MD 20606

Hopefully, your local guitar tutor is skilled in blues guitar and can show you precisely how it was in fact executed by having the right feeling. This feel is very necessary, because without it all you are left with is technique and little soul. It really is true that several months spent shopping around for the right lessons is valuable timeeffectively used (it’s an old Chinese rule) and learning blues guitar is no different. Yet, today we enjoy resourcesthat just didn’treally exist only a handful years ago.

If you don’t want the inconvenience and expense of looking for the perfect local blues guitar instructor, explorethe a good number of excellent programs on line. Once again, you will need to take time due to the fact that there are a large number of guitar courses out there and the quality isn’t all alike. You’re looking forsomeone who focuses on blues guiar and virtually nothing else. He will likely live it and breathe it, which implies that he has the ability to demonstrate the feeling behind the blues in addition to fingerpicking techniques.

Blues Guitar Lessons Near Me Abell MD 20606

While it is true a great guitar teacher actually is worth his weight in gold, it isn’t that easy to find one locally. The other thing is that these men are high-priced, and why not? They need to make a living just like anyone else, so there’s no issue there. Like does he or she specialize in the music that you are interested in the issues are more practical? How far away do they reside? It’s always the practical matters that trip us up, but on-line guitar lessons free us from those restraints.

Along with that, there the cost (of course) and all in all it can get quite tiring. The net has changed a lot of things, and blues guitar lessons are merely one of these things. The quality is normally very good and you can save yourself a whole lot of cash.

Blues Guitar Lessons Near Me Abell MD 20606

The guitar is undoubtedly the most widely used musical instrument on the planet, and certainly acoustic blues guitar is known to be a pretty popular variety to learn. Most people get started with playing with a plectrum and after that subsequently progress to folk style finger style prior to becoming interested in the blues. Perhapsthey noticed a really neat traditional piece or just rather like the idea of the classic blues man feel, and consequently they start to search for blues guitar lessons.

The absolute best situtation is to find a local guitar instructor, although this exercise is quicker said than done. For starters, it is not much good discovering a teacher who excels at classic or popular music if you wish to discover the authentic blues. Many guitarists are good at several genres, but just don’t focus on just one. With regards to blues guitar you should have that guitar guru guy who plays very little else – he lives and breathes it and basically can teach you technique along with the proper feel.

In the event that you reside in a country area out of town, then the quest will become even more tricky. If by chance you do come across some body, then figure in the expense and finding valuable time to go to the person’s home or office, and it all begins to get a chore. A different option is to put money into web based blues guitar lessons. The best packages are awesome and it actually is just like having someone in your living room guiding you.

Blues Guitar Lessons Near Me Abell MD 20606

Street Singer Teaches Blues Guitar To Over 6000 Students A Year

Guitar students from all corners of the globe learn the music of the American deep South from an Englishman born in Sheffield, UK.

Portimao, Portugal – April 3, 2016 /MarketersMedia/ — Jim Bruce – a skilled and exceptionally creative guitar singer born and bred in the UK, is excited to announce the launch, release and availability of his comprehensive learning guide that is dedicated towards helping everyone out there who wants to study acoustic blues guitar in the old style.

Dubbed as ‘Real Acoustic Blues Guitar Lessons – From Texas to the Delta,’ – this innovative acoustic blues guitar course (over 750 minutes of instruction) teaches how to play exactly like the legendary blues men.

With many years of broad experience as a blues guitar singer, nothing but the very best is expected of Jim. Suffice it to say that very few players have perfected finger picking blues guitar like Jim Bruce.

Renowned as an expert guitar player who is additionally a gifted teacher, Bruce said; “My journey from being a street blues guitar singer to becoming a top internet guitar instructor has brought everything I know about playing the blues into focus.”

Blues Guitar Lessons Near Me Abell MD 20606.

Back in the old days, Jim used to play guitar on the streets for a living. He only started making waves on the internet in 2010, when he began creating guitar lessons for download and streaming online.

It is noteworthy to mention that he was voted ‘Top Acoustic Blues Guitar Instructor 2013’ by users of Truefire.com, a major teaching web site which promotes lessons from greats such as Tommy Emmanuel and Frank Vignola. This was a great achievement considering the standard of the competition which was attracted from around the globe.

Speaking about his course, Jim continued; “I give students exactly what they need to be able to play great acoustic blues guitar in the old style. I don’t think you should have to pay a lot of money to get the best acoustic blues guitar lessons – these video lessons show anyone how to apply everything learned over the past 40 years by a working blues man – everything you need learn to play old style blues guitar is here.”

Normal Knodel, a ‘working blues man’ said; “I’ve been an acoustic blues hound for well over 40 years…take it from me: Jim Bruce’s studies of the old masters have been so diligent and his transcriptions, with all their nuances, are so accurately rendered that the man should be awarded a PHD in Musicology! …plus, he’s just such a down to earth, nice guy. To quote the man: “Keep it real”…..What a resource!! Thanks Jim.”

Blues Guitar Lessons Near Me Abell MD 20606.

Review of Jim Bruce’s Ragtime and Blues Guitar Picking Course

Learn to Play Finger Style Acoustic Blues Guitar

Something great has happened for anybody wanting to learn how to play acoustic blues guitar. It’s called Jim Bruce Ragtime and Blues Guitar Picking Course – From Texas to the Delta. Now there’s a mouthful! So what is it?

Well, pretty much as the title says, it’s a guitar course for learning how to play ragtime and blues finger style acoustic guitar. Before I go on, let me just say this isn’t something for the absolute beginner guitarist. If you aren’t yet comfortable or reasonably fluent in playing common chords, then you probably aren’t ready for this just yet, unless you are hyper determined!

About the Course

The course is quite straightforward. It jumps straight in and shows you how to play a collection of 40 blues songs from blues guitarists such as Blind Blake, Robert Johnson and Big Bill Broonzy to name but a few. Each of the songs are shown on video (wmv format), first at normal speed and then broken down into small sections, played slowly. The video also uses split screen for showing the left and right hands independently and displaying on screen Tabs and chord diagrams. All of the songs also come with a printable pdf file with the full guitar Tab.

Although Jim offers a few tips in the videos, you are expected to know certain things like how to read guitar tab and are already familiar with the basic chords. Although this is called a guitar course, just be aware that it isn’t a course in the traditional sense; it’s more of a jump straight in approach. I personally think this is a good thing because most guitar courses waste half of the time telling you things you should already know.

With that in mind, you aren’t going to be given any baby steps in fingerpicking exercises that lead you progressively into more advanced techniques, you’re just going to go ahead and learn how to play the songs in any order you like. Ordinarily, I may think this kind of teaching is too fast, however, with fingerpicking the blues I think the hands on approach is better. It’s exactly how all the old time blues players learned after all.

Once you have spent the time to learn one song, the right hand adapts very quickly. You’ll find it gets much easier the more you do. This is why I think the traditional route of building your technique slowly through a series of boring exercises is not necessary for this style of guitar. The songs themselves are the exercises. You get to kill two birds with one stone and have a lot of fun in the meantime.

Is Ragtime Blues Difficult to Play

If you have never played any kind of ragtime / blues fingerstyle guitar before then you might be thinking it sounds too difficult. There is a lot going on in this style and you might think it’s only for the super advanced guitarist. Don’t let that fool you. There’s something about the sound of acoustic blues guitar that is very deceiving. Most of these songs aren’t as complicated as they sound when you break them down, most of them are well within the capabilities of the average intermediate guitarist who has been playing for maybe six months to a year. If you want to impress your friends (and yourself), this is the stuff to learn!

Full Money Back Guarantee

You don’t have anything to lose. Jim’s course is available for instant download and if you aren’t satisfied then you have the advantage of a 60 day full money back guarantee with no questions asked. At the moment the price is $59 which is a bargain when you think the average guitar DVD tutorial will come with around four to six songs for you to learn at around $30. Jim’s blues guitar course gives you 40 songs, which equates to about 4x the teaching for less than twice the price of a typical guitar DVD.

This course is a breath of fresh air when compared to most of the guitar teaching material that you find on the Internet. You know the stuff, promises of secrets and miracle systems that are nothing more than a downloadable e-book – containing the same information you find in any typical teach yourself guitar book available in print, but four times the price!

Jim’s Finger Picking Guitar Course is nothing like any of that nonsense. It’s as real as it gets, packed with hours of videos that teach you exactly what you need to know and how to do it. That’s it. As far as value is concerned, Jim’s course gives you everything you pay for and more.

Blues Guitar Lessons Near Me Abell MD 20606

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