La zingara доницетти ноты

1. Operas: A1-A66
2. Azioni sacre: A67-A68
3. Incomplete operas: A69-A73
4. Projected operas: A74-A85
5. Pastiches: A86-A88
6. Attributed operas: A89-A90
7. Soprano arias with orchestra: A91-A99
8. Tenor arias with orchestra: A100-A103
9. Bass arias with orchestra: A104-A105
10. Duets with orchestra: A106-A111
11. Terzettos with orchestra: A112-A114
12. Sextet with orchestra: A115
13. Unspecified voice or voices with orchestra: A116-A119
14. Fragments (vocal) with orchestra: A120-A124
15. Cantatas — staged: A125-A137
16. Cantatas for more than one voice: A138-A142
17. Cantatas for soprano: A143-A147
18. Cantatas for tenor: A148-A151
19. Cantatas for bass: A152-A154
20. Other cantatas: A155-A158

2. Songs — published collections: A159-A245
3. Songs — not contained in collections: (a) in the soprano clef: A246-A277 (b) in the tenor clef: A278-A282 (c) in the bass clef: A283-A291 (d) for unspecified voice: A292-A400
4. Duets: A401-A424
5. Trios: A425-A428
6. Quartets: A429-A434
7. Appendix to songs
8. Symphony: A435
9. Sinfonie for orchestra: A436-A447
10. Introductions, preludes, Rataplan (for orchestra): A448-A452
11. Ballets: A453-AA458
12. Concertos: A459-A464
13. String quartets: A465-A484
14. String quintets: A485-A489
15. Sextet: A490
16. Septet: A491
17. Nonets: A492-A493
18. Pianoforte with other instruments: A494-A507
19. Violin and harp: A508
20. Music for wind: A509-A513
21. Solo wind: A514-A516
22. Piano music for two hands: A517-A551
23. Piano music for four hands: A552-A574
24. Organ: A575-A576

2. Complete or near-complete Eucharistic settings (reconstructed from separate items): A577-A609
3. Kyrie: A610-A616
4. Gloria: A617-A624
5. Credo: A625-A628
6. Domine ad adjuvandum: A629-A631
7. Gloria Patri et Sicut erat: A632-A635
8. Dixit (Psalm 110) (reconstructed from separate items): A636-A643
9. Psalms: A644-A651
10. Magnificat: A652
11. Hymns: A653-A658
12. Motets: A659-A661
13. Eucharistic devotions: A662-A669
14. Offertories: A670-A674
15. Devotions to Our Lord: A675-A677
16. Devotions to Our Lady: A678-A685
17. Requiem mass: A686-A688
18. Requiem aeternam: A689-A690
19. Dies irae (Versicle): A691
20. Tuba mirum: A692
21. Miserere (Psalm 50) (reconstructed from separate items): A693-A706
22. Music composed for Marchese Giuseppe Terzi’s funeral, Bergamo, 1819: A707-A709
23. Religious music — Miscellaneous: A710-A711
24. Fugues: A712-A722
25. Fragments: A723
26. Miscellaneous: A724-A729

Operas and Azioni sacre (A1-A68)

• A 1 — Enrico di Borgogna
• A 2 — Una Follia
• A 3 — Pietro il Grande, Czar delle Russie
• A 4 — Le Nozze in Villa
• A 5 — Zoraida di Granata
• A 6 — La Zingara
• A 7 — La lettera anonima
• A 8 — Chiara e Serafina, ossia Il pirata
• A 9 — Alfredo il grande
• A 10 — Il fortunato inganno
• A 11 — L’ajo nell’imbarazzo
• A 12 — Emilia di Liverpool
• A 13 — Alahor di Granata
• A 14 — Il castello degli invalidi
• A 15 — La bella prigioniera [prigionera]
• A 16 — Elvida
• A 17 — Gabriella di Vergy
• A 18 — Olivo e Pasquale
• A 19 — Otto mesi in due ore
• A 20 — Il borgomastro di Saardam
• A 21 — Le convenienze ed inconveniente teatrali
• A 22 — L’esule di Roma
• A 23 — Alina, regina di Golconda

Works with unknown Allitt numbers

Incomplete, Projected, Attributed Operas, Pastiches; Compositions for Voices with Orchestra; Cantatas (A69-A158)

Incomplete, Projected, and Attributed Operas; Pastiches (A69-A90)

Compositions for voice(s) with orchestra (A91-A124)

Cantatas (A125-A158)

Note: The list includes azioni pastorali and hymns performed on stage.

• A 125 — Il Pigmalione. Scene lirica. Libretto by unknown; source: Sografi’s translation (1790) of Rousseau’s Pygmalion, 1770. First performance: Teatro Donizetti, Bergamo, 13 Oct 1960. F-Pc: autograph score, on which Donizetti notes: «Cominciata li 25 7bre, Anita a di 1 8bre 1816 ore quasi due antimeridiane, giorno di martedì. Ingresso del Legato nuovo» — In.1 libretto
• A 126 — Aristea. Azione pastorale in 1 act. Libretto: Giovanni Federico Schmidt. First performance: Teatro San Carlo, Naples, 30 May 1823 — In.246
• A 127 — I voti sudditi. Azione pastorale in 1 act. Libretto: Giovanni Federico Schmidt. First performance: Teatro San Carlo, Naples, 5 May 1825. Published: Tipografia Flautina, Naples, 1825 (untraced)
• A 128 — La partenza. First performance: Palermo, Carolino, for departure of General delle Favare, July 1825 — In.274
• A 129 —
• A 130 —
• A 131 —
• A 132 —
• A 133 —
• A 134 —
• A 135 —
• A 136 —
• A 137 —

Cantatas for more than one voice (A138-A142)

• A 138 —
• A 139 —
• A 140 —
• A 141 —
• A 142 — Giovanni or Il genio. Cantata composed for Mayr’s 78th birthday. Libretto: Gaetano Donizetti. For male voices (TTB chorus), pf and orchestra. 1841
  • =? Dalla Francia un saluto t’invia, T, B, B, TTBB, orch, pf, Paris, May 1841, perf. Bergamo, for Mayr’s 78th birthday, 14 June 1841, ed. J.S. Allitt and U. Schaffer (London and Davos, 1975) — In.255

Cantatas for soprano (A143-A147)

• A 143 — Cerere. Cantata for S and orchestra. 1817. Untraced
• A 144 — Angelica e Medoro. Cantata taken from an episode in Ariosto’s Orlando furioso. For S and pf. Dedicated to Anna Carnevali. May 1822. Untraced — In.244
• A 145 — La fuga di Tisbe. Cantata for S and pf. Dedicated to the Marchesa Medici di Marignano. 15 Oct 1824. Untraced — In.509
• A 146 — Saffo. Cantata for S, chorus and orchestra. Probably 2 different compositions, incipits: «Faon, Faon! ahi misera» (dedicated to Virginia Vasselli, 1828) and «Pietà, gran dio degli astri» — In.292
• A 147 — Birthday cantata. «dell’ottima madre Sig.ra Anna Carnevale, umilmente D., Donizetti 1837» [?]. For S and pf

Cantatas for tenor (A148-A151)

• A 148 — A Silvio Amante. Cantata fot T and orchestra. 1823 — In.247
• A 149 — Qual fremito soave. Libretto: Jacopo Ferretti. Birthday cantata, composed for Count Antonio Lozano and sung by Piero Angelini, with the composer at the piano, in the Lozano family home in Rome, 13 Jun 1832
• A 150 — Il fato. Libretto: Jacopo Ferretti. Birthday cantata — In.262
• A 151 —

Cantatas for bass (A152-A154)

• A 152 —
• A 153 —
• A 154 —

Other cantatas (A155-A158)

• A 155 —
• A 156 —
• A 157 — Uno sguardo. Libretto: Felice Romani. Performed in the home of Emilia Branca, Milan. Emilia Branca was to become Romani’s wife. Score lost or in a private collection — In.302
• A 158 — Inno (cantata) composed for the birthday of D. Pietro Pangrati — In.535?

Works with unknown Allitt numbers

Incomplete operas

• Olimpiade (1817). Only one piece (most probably the only one composed): Ne’ giorni tuoi felici. Scena e duetto (Aristea, Megacle) — In.2 libretto
• L’ira di Achille (1817). Only first act and a duet from at 2 — In.3
  • Includes: Nume di Delo, Latonia prole. Scena, recitativo e aria. B with chorus

Compositions for voice(s) with orchestra

• Amor, mio nume, In.242. Aria for S with orchestra (1816)
• Andrò da te lontana. Aria for S and orchestra — In.243
• Aria per soprano, corno obbligato e orchestra, dedicata alla cantante Carolina Magni ed eseguita al Teatro Riccardi di Bergamo l’11 [?] settembre 1820 — In.245
• Il pescatore. Voice and orchestra. I-VAF (Busta 106 n. 3): partitura e parti staccate mss. per orchestra — In.265
• Ah! quel Guglielmo. Sextet (SSTTBB) with orchestra (1812) — In.240? (Ah! qui Guglielmo) ; A115?
• Il prigioniero è là (recitative with strings), «Dopo l’aria di Acmet atto II». — Grato il mio cor fia sempre, «dopo il coro atto II». See Lucrezia Borgia — In.266

Cantatas

Songs, Duets, Trios, Quartets, Quintet (A159-A434)

Published collections (A159-A245)

Matinée musicale, A 208-217 (Naples, Girard, 1841)

• A 208 — Il tuo pensiero è il mio. Romanza (Oh quanto in me tu puoi) / Ton Dieu est mon Dieu (Connais sur mon âme asservie), trans. Auguste Richomme
  • There is an autograph in Paris with slightely diferent text: Oui, ton Dieu c’est le mien — In.531
• A 209 — Il cavallo arabo (O corridor) / Le retour au désert (Léger coursier), trans. Auguste Richomme — In.351
• A 210 — Preghiera (Dio che col cenno moderi) / Prière / Longue douleur (Dieu, Dieu qui d’un signe), trans. Émile Deschamps — In.428
  • Not to be confused with La prière, A 424, duet ST, text by Paul Lacroix
• A 211 — La gondoliera. Barcarola for T / Oh vieni al mare! (Vieni, la barca è pronta) // La gondolière / Le senateur et la gondolière (Ah! viens la barque est prêt), trans. Émile Deschamps — In.379
• A 212 — La corrispondenza amorosa (Cifre d’amor / O dolci righe [?]) / Les billets doux (Billets chéris), trans. Émile Deschamps — In.374
• A 213 — La negra / La schiava africana (Fin dalla culla) / La nouvelle Ourika (Dès le berceau), trans. Auguste Richomme
• A 214 — L’addio (Io resto fra le lagrime). Duetto / L’adieu (Je reste abandonnée), trans. Émile Deschamps — In.376
• A 215 — La gelosia (Non giova il sospirar). Scherzo a 2 voci. Words by Metastasio / Querelle d’amour (Tu n’auras rien, ma foi), trans. Émile Deschamps. — In.378 See A 160
• A 216 — La campana (Il sol discende). Quartettino (TTBB) / La cloche (Dejà le jour baisse), trans. Eugène de Lonlay — In.372
• A 217 — Rataplan / La partenza del reggimento / I quattro coscritti [?] (Rataplan, convien partir). Quartettino (TTBB) — In.432

Ispirazioni viennesi, A 218-224 (Milan, Ricordi, 1842). Words by Carlo Guaita

• A 218 — La zingara (Fra l’erbe cosparse di rorido gelo) / La bohémienne, trans. Crevel de Charlemagne
• A 219 — Non m’ami più/ L’ingratitudine / L’ ingratitude (Tu n’aimes plus! perfide!), trans. Crevel de Charlemagne / also translated into German by G. Habnel
• A 220 — L’ora del ritorno (Odi, Elisa: questa è l’ora) / L’heure du retour (Lise, écoute, voici l’heure), trans. Crevel de Charlemagne — In.401
• A 221 — Il sospiro (Donna infelice, stanca d’amore) / Sombres pensées (Femme coupable et téméraire!), trans. Crevel de Charlemagne
• A 222 — È morta (Morta! e ieri ancor qui vagheggiai) / Morte et pourtant hier je la voyais — In.339
• A 223 — Predestinazione (Qual colomba che fugge pel cielo) — Duet
• A 224 — Che vuoi di più (Che vuoi di più? Non splende) — Duet — In.330

Raccolta di canzonette e duettini, A 225-232 (Milan, Francesco Lucca), posthumous

• A 225 — Il giglio e la rossa (Non sdegnar vezzosa Irene). See A 238 — In.415
• A 226 — Occhio nero incendiator. Song in G major.
• A 227 — Tengo no n’namurato. Canzonetta — In.448
• A 228 — Lu tradimiento (Ah traditor tu m’haje lassata). Canzonetta napoletana — In.308
• A 229 — Au tic tac des castagnettes. Canzonetta — In.320
• A 230 — Aimer ma Rose est la sort de ma vie. Romanza — In.309
• A 231 — Che ciel sereno. Duettino (ST)
• A 232 — O crudel che il mio pianto non odi. Duettino (ST). See A 242

Dernières glânes musicales, A 233-242 (Milan, Ricordi), posthumous

• A 233 — Sì o no. Canzonetta giocosa (Tutte le femmine fanno così) — In.441
• A 234 — Un bacio [detto?] di speranza. Romanza / Un baiser pour espoir (Je vais quitter tpus ceux qui j’aime) — In.452
• A 235 — Addio (Partir conviene). Romanza
• A 236 — Leonora. Romanza (Partir conviene: Leonora, addio) / Léonore. Romance. Italian translation by G. Vitali — In.396
• A 237 — T’aspetto ancor (Nel tuo [suo?] cammin fugace). Romanza n G major. Italian translation (from French) by G. Vitali — In.446
• A 238 — Il giglio e la rosa (Non sdegnar vezzosa Irene). Canzonetta. See A 225 — In.415
• A 239 — La mère et l’enfant (Un voile blanc couvrait la terre). Melodia. Words by Auguste Richomme / La madre e il figlio (Un bianco velo qua il suol corpia). Also with orchestra, ded. M. de Coussy — In.384 (with piano), In.273 (with orchestra)
  • There are editions with title: Mon pauvre enfant
• A 240 — La chanson de l’abeille (Sur les fleurs voltige une abeille) / La Canzone dell’ape (L’ape intorno ai fior s’aggira). Canzonetta. Words by H. Lucas. Italian translation by G. Vitali
• A 241 — La passegiata al lido (Che bel mar, che bel sereno). Duettino — In.327
• A 242 — L’ultimo rimprovero (O crudel che mio pianto non odi). Duettino. See A 232

Tre melodie, A 243-245 (Milan, Francesco Lucca, n.d.)

• A 243 — Giovanna Gray (Io morrò, sonata è l’ora). Romanza for S. Text also in German.
• A 244 — L’amor mio / L’arcano del cuore (Amo sì, ma l’amor mio). Romanza for S; words by Felice Romani. Text also in German: Ja, ich lieb’ doch meine Liebe (Meine Liebe)
• A 245 — La savoiarda (Lasciata ho la montagna) / La savoyarde. Romanza for S. — In.436

Not contained in collections: Songs in the soprano clef (A246-A277)

• A 246 —
• A 247 —
• A 248 —
• A 249 —
• A 250 —
• A 251 —
• A 252 —
• A 253 — Heureuse qui près de toi (Sappho; accompaniment missing)
• A 254 —
• A 255 —
• A 256 — Romanza moresca (Il mio grido getto ai venti). Ded. Sterlich, 1844 — In.356
• A 257 —
• A 258 —
• A 259 —
• A 260 — N’ornerà la bruna chioma (preceded by a scene: Maggior di nostra speme oggi). Words by Felice Romani (ded. L. Freppa Cottrau) — In.417
• A 261 —
• A 262 —
• A 263 —
• A 264 —
• A 265 —
• A 266 —
• A 267 —
• A 268 — Sovra il remo sta curvato. Words by L. Mira — In.444
• A 269 —
• A 270 — Trova un sol mia bella Clori. Words by Metastasio. The melody is different from A281. — In.576
• A 271 —
• A 272 —
• A 273 —
• A 274 —
• A 275 —
• A 276 — Un baiser pour espoir / Un detto [bacio?] di speranza (Je vais quitter tous ceux que j’aime / Abbandonar ogni mio bene). For mS or B. Published by Girard and Cottrau. French text is the original one. Italian translation by G. Vitali. — In.454? = A 290
• A 277 — Nice s’io moro. Arietta in F minor for mS — In.520

Not contained in collections: Songs in the tenor clef (A278-A282)

• A 278 — Ella riposi alcuni istani almeno. Cavatina composed for Prince Poniatowsky — In.490
• A 279 — O anime affanate, venite a noi parlar. Dante, Canto 5, vv. 80-118. «The setting breaks off just before Francesca, i tuoi martiri, indicating that the composer suddenly left off his work. Certain bars have been deleted and the vocal line is complete; however, the piano accompaniment is not fully realized» (Allitt). See A76 — In.524
• A 279a — O animal grazioso e benigno. vv. 88-90. See A76
• A 279b — Amor ch’a nullo amato amar perdona. «Terzina Dantesca posta in musica da G.D. a Parigi nel 1843». See A76 — In.467
• A 280 — Spunta il dì, l’ombra sparì. Romanza in B ♭ major
• A 281 — Trova un sol mia bella Clori. Words by Metastasio. The melody is different from A270 — In.577
• A 282 — V’era un dì che il cor beato. Cantibile in B ♭ major

Not contained in collections: Songs in the bass clef (A283-A291)

• A 283 — Dieu terrible, Dieu redoubtable (Noe, scene du deluge). Words by J. de Bouteiller (based on Il diluvio universale). Published by A. Catelin. 1839 Feb.
• A 284 — Le renégat (J’ai renie ma folie) / Il rinnegato (Io rinnegai la mia fede). French text by Émile Pacini. Dedicated to Nicholas-Prosper Levasseur. A German versions of the song also exists. Edited by Ian Caddy
• A 285 — La hart (Non loin de Mont-Faucon). Chant diabolique; words by Paul Lacroix; composed 1842. Published by Schlesinger
• A 286 — L’amor funesto (Più che non m’ama un angelo). Romanza with cello/horn obbligato. Composed 1842. Dedicated to Prince Metternich, sung by Mariani. French translation by Gustav Vaez: Te dire adieu (Tu pars, il faut te dire adieu). — In.447 (Te dire adieu)
  • Not to be confused with L’amor funesto (Io d’amor, oh Dio! mi moro), A 167 = A 182
• A 287 — Viva il matrimonio (Se tu giri tutto il mondo). Cavatina buffa composed about the same time as Il campanello (1836). Words by Leopoldo Tarantini, composed for the marriage of Baron Luigi Compagno to Maria de’ Marchesi del Carretto. Published by Ricordi — In.439
• A 288 — Spirito di dio benefico. «Words almost certainly by Donizetti» (Allitt). Edited Ian Caddy. See also A 222 and A 355 (songs written in memory of Virginia Vasselli) — In.570
• A 289 — Un coeur pour abri (Sur des bords inconnus). With pf or chi accompaniment. Words by Auguste Richomme; composed?, published 1841. Published Meissonnier and Heugel — In.453
• A 290 — Un baiser pour espoir / Un detto [bacio?] di speranza (Je vais quitter tous ceux que j’aime / Abbandonar ogni mio bene). For B or mS. Published by Girard and Cottrau. French text is the original one. Italian translation by G. Vitali. — In.454? = A276
• A 291 — Le départ pour la chasse (Voici la trace du cerf dix-cors). With horn obbligato. Words by Paul Lacroix. Edited by Ian Caddy — In.484

Not contained in collections: Songs for unspecified voice (A292-A400)

• A 292 — Le dernier chant du troubadour (A ce titteul). G major. Published by Lucca
• A 293 — A piè del mesto salice — In.471 — The Willow song from Othello?
• A 294 — Addio brunetta, son già lontano. See Journal of the Donizetti Society 2 (1975), p.155.
• A 295 — Adieu, tu brise et pour jamais — In.459
• A 296 — Ah, che miro o sventurato
• A 297 — Ah, fù un sogno il mio contento
• A 298 — Ah, non lasciarmi. Words by Metastasio. See A 401
• A 299 — Les yeux noirs et les yeux bleus (Ah! quel embarras extrême!). Words by E. Monnier
• A 300 —
• A 301 —
• A 302 —
• A 303 —
• A 304 —
• A 305 — Il pescatore / Il lago (Batte il bronzo). Text by Achille Ricciardi bnf — In.321
• A 306 — Le violon de Cremone (Cet instrument silencieux renferme l’âme de ma fille). Words by Hoffmann
• A 307 —
• A 308 — Come volgeste rapidi, giorni de’ miei primi anni. Romanza
• A 309 — Credo du martyr. Song for (?T) unaccompanied voice. Published Schonenberger and Lemoine
• A 310 — Dal palpitar cessate. Cavatina
• A 311 — Amour jaloux (Dans un salon si quelqu’un vous demand). F-Pc: pf accompaniment not completely realized — In.469
• A 312 — Dell’anno nuovo [novello?]. Canzonetta — In.482
• A 313 — Demain quand sonnerat l’heure de la prière. See also A 205
• A 314 — Elle m’a dit: parlez! Published by Schonenberger and Lemoine — In.337
• A 315 — Elle n’existe plus. G major. Published by Lucca (French an Italian text) — In.338
• A 316 — Le pauvre exilé (Faut-il, helas! sans esperance). Romance. Words by Adolphe de Leuven. Published by Escudier
• A 317 — Faut-il renfermer dans mon âme. Mélodie. B ♭ major
• A 318 — Gardes tes moutons (Gentille fillette). Romanza. Published by Richault
• A 319 — Già presso al termine de’ suoi martiri. Words by Metastasio
• A 320 —
• A 321 —
• A 322 —
• A 323 —
• A 324 —
• A 325 —
• A 326 —
• A 327 —
• A 328 —
• A 329 —
• A 330 — J’attends toujours / Les soupirs (Dans la course rapide). Romance. Words by Eugène de Lonlay. Published by Schonenberger and Lemoine — In.369
• A 331 — Je donnerais d’un cœur joyeux. Unaccompanied song
• A 332 — L’agonia dell’amore. Published in Leipzig — In.380
• A 333 — L’attente (La mère, ma toute belle). French translation from the Italian «Nel suo cammin». Published by Escudier — In.319
• A 334 — La mia fanciulla (Ah! se d’amore un palpito). Published by Cottrau
• A 335 — Lamento di Cecco di Varlungo — In.510
• A 336 — L’étrangère — In.492
• A 337 — Le bal masqué. Words by Paul Lacroix
• A 338 — Le page. Romanza. Published by Bernard (St Petersburg) — In.397
• A 339 — Le pirate. Words by S. Saint-Étienne. Published in the collection Lyre Francaise, Mainz
• A 340 — Les gondoliers de l’Adriatique (La brise plaintive). Words by Crevel de Charlemagne. Published by Latte — In.344
• A 341 — Lumi rei del mio martire. See A 431
• A 342 — Lungi te ne vai da Italia — In.514
• A 343 — Il sospiro (Malvina la bella sull’arpa scioglierà). Words by Andrea de Leone
• A 344 —
• A 345 —
• A 346 —
• A 347 — La fiancée du timballier (Monseigneur le duc de Bretagne). Words by Hugo. 14 Jan 1843
• A 348 —
• A 349 —
• A 350 —
• A 351 —
• A 352 — Le miroir magique (Ninetta, celle que j’aime). Words by Édouard Plouvier
• A 353 —
• A 354 — Non v’è più barbaro di chi non sente — In.523
• A 355 — Nostre misere menti e nostre salmi. Words by Leopardi («Il sogno», last 9 verses). Composed after July 1837. The piece concludes with the aria «Tu che a Dio spiegasti l’ali» (Lucia di Lammermoor). «This song is clearly written in the context of Virginia Donizetti’s death» (Allitt)
• A 356 — L’abbandono / La fidanzata (No, tu non m’hai tradita). With pf or harp. Published by Martelli, Cottrau — In.418
• A 357 — O filles que l’ennui chagrine. Unaccompanied song — In.525
• A 358 — Le petit joueur de harpe (O ma harpe, seul héritage). Words by Paul Lacroix. Song with a harp and a piano. Incomplete autograph score
• A 359 — Auf dem Meere (Ob die Stürme auch wüten). Published in Vienna (?)
• A 360 — Oh, Cloe, delizia di questo core — In.526
• A 361 — Uno sguardo (Oh di quegli occhi teneri). A song improvised in an evening at Paolo Branca’s home in Milan by the composer and Felice Romani. See A390 — In.582
• A 362 — Un rêve de bonheur (Oh, je rêve d’une étrangère). Words by Émile Deschamps — In.527
• A 363 — On vous a peint l’amour (also known as N’ayez plus peur, madame, which is written on the score). C major. Words by Paul Lacroix — In.528
• A 364 — Oui, je sais votre indifférence — In.530
• A 365 — Le petit montagnard (Oubre-moi, bonne mère). Dedicated to Zelie de Coussy. Published by Cottrau and France Musicale — In.398
• A 366 — La speranza (Parto, parto) — In.569
• A 367 — Pas d’autre amour que toi. Words by Émile Barateau. Dedicated to Zelie de Coussy. Published by Meisonnier and Heugel
• A 368 — Amor tiranno (Perché due cori insieme). Words by Metastasio. Published by Girard — In.317
• A 369 — Perché, se mai mia tu sei. C major. Words by Metastasio. Dedicated to Contessa Ludolf — In.534
• A 370 — Philis plus avare que tendre
• A 371 — Plus ne m’est rien. E flat major
• A 372 — Pourquoi me dire qu’il vous aime. D ♭ major — In.540
• A 373 — Doux souvenirs vivez toujours (Pourquoi, toujours, avoir, dans ma pensée). Words by Émile Barateau
• A 374 — Vision (Quand descend la nuit sombre). Words by Édouard Plouvier
• A 375 —
• A 376 —
• A 377 —
• A 378 —
• A 379 —
• A 380 —
• A 381 —
• A 382 —
• A 383 —
• A 384 — Rose che un dì spiegaste — In.555
• A 385 — Se a te d’intorno scherza. See Journal of the Donizetti Society, 2 (1975), p. 158. — In.437
• A 386 — Seul sur la terre, en vain j’espère — In.563
• A 387 — Ti sento, sospiri (Si, tanto sospiri, ti lagni d’amore is incorrect). See A 178 — In.451/574 — In.565?
• A 388 — La musulmane (Si tu m’aimais, o musulmane). Words by Maurice Bourges. Published by Brandus
• A 389 — Si tu m’as fait ton image — In.566
• A 390 — Il ritratto (Son due stelle i cari occhietti). An improvised song with words by Felice Romani, composed one evening at the home of Paolo Branca in Milan. — In.554. See A 361
• A 391 — Sorgesti alfine, aurora
• A 392 — Sospiri, aneliti che m’opprimete
• A 393 — Su questi allori — In.572
• A 394 — Taci invan mia cara Iole. E ♭ major. Dedicated to «De Martino, 1834» — In.573
• A 395 — (Io) te voglio bene assaje. Neapolitan song. Words by Raffaello Sacco; attributed by Donati-Petteni. Published by Ricordi — In.449
• A 396 — Una vergine donzella. A minor — In.581
• A 397 — La voix d’espoir (Une voix douce et pure). Words by M. Cimbal. Published by Maeyens, Couvreur and Durand
• A 398 — Les revenants (Un soir a l’heure ou finit la veillé). Words by Paul Lacroix — In.552
• A 399 — Lamento per la morte di Bellini (Venne sull’ali ai Zeffiri). Words by Andrea Maffei, dedicated to Maria Malibran. Published by Ricordi — In.456
• A 400 — Vien ti conforta, o misera

Not contained in collections: Duets (A401-A424)

• A 401 — Ah, non lasciarmi, no bell’idol mio. A ♭ major. Words by Metastasio. See A 298
• A 402 — Che cangi tempra. SS. E ♭ major — In.328
• A 403 — Irene e Dafne (Dammi di fede un segno). C major, Adagio — Allegro
• A 404 — Armida e Rinaldo (Desio di gloria, e a me chi trasse amore). ST. Words by Tasso — In.472
• A 405 — Duettino (Untitled). SS. I-Nc: autograph score
• A 406 — Duet (Untitled). SS. Dedicated to ‘Marchesa Medici’. F-Pc: autograph score
• A 407 — Duet (Untitled). SS. Composed 19 Dec 1822 for Clementina Carnevali and Nicola Cartoni. The autograph score is in a private collection — In.489
• A 408 — Godi diletta ingrata. ?ST
• A 409 — Mi lasci? Si. Recitative and duet for Deidamia and Don Achille. Words by Metastasio — In.518
• A 410 — Non me spezzar Licori. SS. Words by Metastasio — In.522
• A 411 — C’est le printemps (On entend dans les brises). Chansonette-valse, for two voices. Words by Édouard Plouvier.
• A 412 — Ero e Leandro (Parto, è ver ma pensa ognora). SS. E ♭ major. Largo — Allegro
• A 413 — Per valli, per boschi. Canzonetta con l’eco. SS. Composed 27 Aug 1819, Bologna
• A 414 — Quegli sguardi e quegli accenti. SS. I-BGmd: autograph score (misplaced) — In.548
• A 415 — Sape uscia che a la masta lo marito che bò dì. ?SB — In.556
• A 416 — Se mai turbo il tuo riposo. SS. Words by Metastasio — In.558
• A 417 — Sempre più t’amo, mio bel tesoro. ?ST — In.559
• A 418 —
• A 419 —
• A 420 —
• A 421 —
• A 422 —
• A 423 —
• A 424 — La prière (Voici le jour qui va paraître)
  • Not to be confused with Preghiera (La prière), A 210 from Matinée musicale, A 208-217

Not contained in collections: Trios (A425-A428)

Not contained in collections: Quartets (A429-A434)

• A 429 —
• A 430 —
• A 431 — Lumi rei del mio martire, for 4 voices (12 Jun 1817). See A 341
• A 432 —
• A 433 —
• A 434 — Strofe di Byron:

1. Sien l’onde placide
2. Per noi la vita
3. Ma poi passati stragi e orror

Appendix to songs

Note: the list is preserved here as it is in Allitt’s catalogue (there are mistakes, missing numbers etc.). Lists a and b include translations from the Italian.

• a. Songs with French text: A171; A188; A190; A192; A202-A222; A229; A230; A234; A236; A239; A240; A245; A246; A249; A253; A254; A257; A275; A283-A286; A289; A291; A292; A295; A299; A306; A311; A313-A318; A321; A329-A331; A333; A336-A340; A344; A346; A347; A352; A357; A358; A362-A365; A367; A370-A376; A386; A388; A389; A397; A398; A411; A424; A426
• b. Songs with German text: A201; A219; A236; A243; A244; A284; A350; A359; A382
• c. Songs in Neapolitan: A187; A198; A227; A228; A302; A395
• d. Songs in Sicilian: A181; A351
• e. Songs with pianoforte accompaniment and another instrument: A179 (vn); A261 (cl); A286 (vc or hn); A291 (hn); A306 (vn); A329 (va); A375 (org)

f. Authors of texts

• Dante Alighieri: A279; A279a; A279b
• Emile Barateau: A367; A373
• G.B. Bonola: A383
• A. Borsini: A203
• Maurice Bourges: A388
• J. de Bouteiller: A283
• M. Cimbal: A397
• Erode de Champs: A362
• Crevel de Charlemagne: A340 and numerous translations
• Sesto Giannini: A256
• A. de Lauzieres: A201
• Andrea de Leone: A343
• Adolphe de Leuven: A316
• Eugene de Lonlay: A330
• Auguste de Richomme: A239; A289

• Gaetano Donizetti: A222 (? trans); A288
• G. Guaita: A184; A218-A224
• E.T.A. Hoffmann: A306
• Victor Hugo: A188; A347
• Paul Lacroix: A210; A285; A291, A337; A358; A363; A398; A424
• Giacomo Leopardi: A355
• H. Lucas: A240
• Andrea Maffei: A399
• Metastasio (Pietro Trapassi): A159; A160; A163; A167; A169; A177; A178; A182; A200; A247; A252; A265; A270; A281; A298; A319; A368; A369; A380; A401; A410; A416; A418; A419
• Luigi Mira: A268
• Etienne Monnier: A299
• G.B. Niccolini: A180
• Adolph Nourrit: A205; A207
• Emile Pacini: A284
• Palazzolo: A189; A193

• Edouard Plouvier: A352; A374; A411
• F. Puoti: A171; A191
• G.L. Redaelli: A172; A197
• Achille Ricciardi: A305
• Felice Romani: A195; A206; A244; A260; A361; A390
• Raffaello Sacco: A395
• Sappho: A253
• S. Saint-Etienne: A339
• Friedrich Schiller: A201
• Torquato Tasso: A404
• Leopoldo Tarantini: A183; A186; A190; A192; A194; A196; A204; A287
• Gustave Vaez: A206 (trans); A286 (trans)
• G. Vitali: A249
• v. der Mises: A382

Works with unknown Allitt numbers

Songs

• Addio! (Ahi! tu mi fuggi addio!) Romanza. Traduzione dal francese di G. Vitali (Ricordi, plate 15920 — see bnf ) = A 295?
• Ah! rammenta, o bella Irene (ded. Signora M.P. de Sevigny); ediz. Ricordi, Milano, s.a. — In.307
• Ah, si tu voulais toi que j’aime. 1842 — In.465 ( BNF )
• Amiamo (Or che l’età ne invita) — In.312
• Amis courons chercher la gloire, In.466
• Ammore!, popular song in Napoletan dialect — In.313
• Anch’io provai le tenere smanie — In.470
• Au pied d’une croix (Voyez-vous cette femme) ( BNF )- with respect to Inzaghi entries: In.278 and In.473
• Berceuse (Questo mio figlio) — In.324
• Combien la nuit est longue, In.480 (also known as Hélas, j’entend sonner une heure)
• Depuis qu’une autre a su te plaire (ded. G. Sterlich, 1844)
• È più dell’onda instabile — In.491
• J’aime trop pour être heureux. With viola obbligata — In.368
• La farfalla e il poeta (Io son farfalla e volo) — In.493
• Fausto sempre (aria per la sig. Boccabadati, da cantarsi nel Barbiere di Siviglia)
• Fra le belle Irene è quella, canzonetta (Metastasio) — A 252?
• La gondola (Meco in barchetta celere). Published Latte BNF
• Gran Dio mi manca il cor
• Il m’aime encore, doux réve de mon âme — In.503 BNF ?
• Il mio ben m’abbandonò — In.355
• Io son pazza capricciosa — In.367
• Je vais quitter tout ce quej’aime (ded. to brothers Escudier)
• Malvina (Depuis qu’une autre a su te plaire / Dal di che un’altra ti fu più bella), scène dramatique. Italian translation (from French) by G. Vitali — In.404
• Marie enfin quitte l’ouvrage, In.515. Words by Pierre-Jean de Béranger (Le prisonnier de guerre)
• Mentre del caro lido — In.516
• Mon enfant, mon seul espoir
• Nice, st’occhiuzzi càlali — In.521
• Non amerò che te (Ah! se d’amore un palpito). Italian translation (from French) by G. Vitali. Same as A334? — BNF
• Non amo che te
• Non v’è nume non v’è fato, romanza (ded. by E. Branca) — In.416
• . Ded. Teresina Spadaro. With clarinet obbligato — A 261?
• Ov’è la voce magica, melodia (ded. C. Sterlich, 25 novembre 1844)
• Il pegno, canzonetta
• Perché mai Nigella amata, In.533
• Quand un soupçon mortel, In.546
• Quand je vis que j’étais trahie. Religious scene with piano or organ — In.543 ; A 375?
• Quando il mio ben io rivedrò — In.544
• Quando morte coll’orrido artiglio — In.545
• Quanto mio ben t’adoro — In.547
• Qui sospirò, là rise — In.551
• Il ritorno del trovatore da Gerusalemme (Alfin di Gerosolina vinto) — In.553 BNF
• Se lontan ben mio tu sei (Metastasio) — In.557 ; A 265?
• Se talor più nol rammento
• Il sospiro del gondoliero (Sull’onda cheta e bruna). There is also a duet on this text
• Sovra il campo della vita. Larghetto (ded. Sterlich)
• Troppo vezzosa è la ninfa bella — In.575
• Il trovatore (Del Giordano in sulle sponde). Ded. T. Spadaro — In.758
• Tu mi chiedi se t’adoro (ded. Mad. de Coussy, 1840) — In.579
• Una tortora innocente (ded. V. Vasselli) — In.580
• Vous dont le coeur

Duets, Trios and Quartets

Instrumental, Sacred, Fugues, etc. (A435-A729)

A «(p)» by the date means it is the date of performance, not of composition.

Works with unknown Allitt numbers

Orchestral (A435-A458) and Concertos (A459-A464)

• Sinfonia in C major, 12 June 1816, I-Bc — Grove — A 436?
• Sinfonia concertata in D major, 17 Sept 1816, ed. G. Piccioli (Milan, 1937) — Grove — In.588 — A 438?
• Sinfonia in C minor (C major), 24 Nov 1816 — A 437?
• Adagio and Minuet from a symphony (F-Pc) — Grove
• Gran marcia militare imperiale, for the Sultan of Turkey, arr. pf (Paris, n.d.), arr. sym. band by D. Townsend (n.p., 1967) — In.664
• Rataplan — A 452?
• Clarinet Concertino — constructed from separate pieces by Raymond Meylan
• Concerto, for unspecified instrument (Pc) — Grove

Chamber (A465-A516)

• String Quartet in C major, incomplete, ca.1819-21 (Grove: F-Pc) — A 483?
• String Quartet in A minor, incomplete, ca.1819-21 — A 484?
• String Quintet — if this is a chamber piece at all; same as Grove’s String Quintet in C (1 movt I-BGmd) ? — A 485?
• String Quintet (2-2-1-1): Introduzione and Largo affettuoso (Grove) — A 486?
• Viola Concerto
• Untitled work in B ♭ major, wind insts, org (I-BGi) — Grove
• Clarinet Study No.1, In.716 (Studio primo) in B ♭ major, 1821. Dedicated to «l’amico Begnigni». Edited by R. Meylan (Frankfurt, 1970)
• Duetto in B ♭ major for 2 clarinets, ed. B. Päuler (Zürich, 1971)
• Solo in F minor for oboe and piano (harp?) — In.714 — «presumably part of a lost sonata with more movements . the manuscript consists of only two staves (the first for the oboe and the second for the accompaniment)» (2004 edition)

Piano (A517-A574), Organ (A575-A576)

All for piano 2-hands, unless otherwise stated.

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