Главная » Музыка

Ноты доницетти il giuramento

Обновлено
Содержание
  1. List of works by Gaetano Donizetti
  2. Содержание
  3. Sections of Allitt’s catalogue
  4. Operas and Azioni sacre (A1-A68)
  5. Works with unknown Allitt numbers
  6. Incomplete, Projected, Attributed Operas, Pastiches; Compositions for Voices with Orchestra; Cantatas (A69-A158)
  7. Incomplete, Projected, and Attributed Operas; Pastiches (A69-A90)
  8. Compositions for voice(s) with orchestra (A91-A124)
  9. Cantatas (A125-A158)
  10. Works with unknown Allitt numbers
  11. Incomplete operas
  12. Compositions for voice(s) with orchestra
  13. Cantatas
  14. Songs, Duets, Trios, Quartets, Quintet (A159-A434)
  15. Published collections (A159-A245)
  16. Not contained in collections: Songs in the soprano clef (A246-A277)
  17. Not contained in collections: Songs in the tenor clef (A278-A282)
  18. Not contained in collections: Songs in the bass clef (A283-A291)
  19. Not contained in collections: Songs for unspecified voice (A292-A400)
  20. Not contained in collections: Duets (A401-A424)
  21. Not contained in collections: Trios (A425-A428)
  22. Not contained in collections: Quartets (A429-A434)
  23. Appendix to songs
  24. f. Authors of texts
  25. Works with unknown Allitt numbers
  26. Songs
  27. Duets, Trios and Quartets
  28. Instrumental, Sacred, Fugues, etc. (A435-A729)
  29. Works with unknown Allitt numbers
  30. Orchestral (A435-A458) and Concertos (A459-A464)
  31. Chamber (A465-A516)
  32. Piano (A517-A574), Organ (A575-A576)

List of works by Gaetano Donizetti

This page is under construction.

  • The «A ###» numbers (sometimes «DA» is used instead) are for: John Stewart Allitt. Donizetti in the light of romanticism and the teaching of Johann Simon Mayr. 1991.
  • Sources for this page: Google books (Allitt’s catalogue; not all the pages are available, hence the gaps in the present table). The worklist in Grove should be used cautiously.
  • Giuseppe Angeloni, Luigi Inzaghi. Gaetano Donizetti (1983) — Inzanghi’s catalogue. Google books.
  • Barblan & Zanolini’s Gaetano Donizetti: vita e opere di un musicista romantico (also Google books) is useful for the songs

Содержание

Sections of Allitt’s catalogue

  1. Operas: A1-A66
  2. Azioni sacre: A67-A68
  3. Incomplete operas: A69-A73
  4. Projected operas: A74-A85
  5. Pastiches: A86-A88
  6. Attributed operas: A89-A90
  7. Soprano arias with orchestra: A91-A99
  8. Tenor arias with orchestra: A100-A103
  9. Bass arias with orchestra: A104-A105
  10. Duets with orchestra: A106-A111
  11. Terzettos with orchestra: A112-A114
  12. Sextet with orchestra: A115
  13. Unspecified voice or voices with orchestra: A116-A119
  14. Fragments (vocal) with orchestra: A120-A124
  15. Cantatas — staged: A125-A137
  16. Cantatas for more than one voice: A138-A142
  17. Cantatas for soprano: A143-A147
  18. Cantatas for tenor: A148-A151
  19. Cantatas for bass: A152-A154
  20. Other cantatas: A155-A158
  2. Songs — published collections: A159-A245
  3. Songs — not contained in collections: (a) in the soprano clef: A246-A277 (b) in the tenor clef: A278-A282 (c) in the bass clef: A283-A291 (d) for unspecified voice: A292-A400
  4. Duets: A401-A424
  5. Trios: A425-A428
  6. Quartets: A429-A434
  7. Appendix to songs
  8. Symphony: A435
  9. Sinfonie for orchestra: A436-A447
  10. Introductions, preludes, Rataplan (for orchestra): A448-A452
  11. Ballets: A453-AA458
  12. Concertos: A459-A464
  13. String quartets: A465-A484
  14. String quintets: A485-A489
  15. Sextet: A490
  16. Septet: A491
  17. Nonets: A492-A493
  18. Pianoforte with other instruments: A494-A507
  19. Violin and harp: A508
  20. Music for wind: A509-A513
  21. Solo wind: A514-A516
  22. Piano music for two hands: A517-A551
  23. Piano music for four hands: A552-A574
  24. Organ: A575-A576
  2. Complete or near-complete Eucharistic settings (reconstructed from separate items): A577-A609
  3. Kyrie: A610-A616
  4. Gloria: A617-A624
  5. Credo: A625-A628
  6. Domine ad adjuvandum: A629-A631
  7. Gloria Patri et Sicut erat: A632-A635
  8. Dixit (Psalm 110) (reconstructed from separate items): A636-A643
  9. Psalms: A644-A651
  10. Magnificat: A652
  11. Hymns: A653-A658
  12. Motets: A659-A661
  13. Eucharistic devotions: A662-A669
  14. Offertories: A670-A674
  15. Devotions to Our Lord: A675-A677
  16. Devotions to Our Lady: A678-A685
  17. Requiem mass: A686-A688
  18. Requiem aeternam: A689-A690
  19. Dies irae (Versicle): A691
  20. Tuba mirum: A692
  21. Miserere (Psalm 50) (reconstructed from separate items): A693-A706
  22. Music composed for Marchese Giuseppe Terzi’s funeral, Bergamo, 1819: A707-A709
  23. Religious music — Miscellaneous: A710-A711
  24. Fugues: A712-A722
  25. Fragments: A723
  26. Miscellaneous: A724-A729

Operas and Azioni sacre (A1-A68)

Operas
  • A 1 — Enrico di Borgogna
  • A 2 — Una Follia
  • A 3 — Pietro il Grande, Czar delle Russie
  • A 4 — Le Nozze in Villa
  • A 5 — Zoraida di Granata
  • A 6 — La Zingara
  • A 7 — La lettera anonima
  • A 8 — Chiara e Serafina, ossia Il pirata
  • A 9 — Alfredo il grande
  • A 10 — Il fortunato inganno
  • A 11 — L’ajo nell’imbarazzo
  • A 12 — Emilia di Liverpool
  • A 13 — Alahor di Granata
  • A 14 — Il castello degli invalidi
  • A 15 — La bella prigioniera [prigionera]
  • A 16 — Elvida
  • A 17 — Gabriella di Vergy
  • A 18 — Olivo e Pasquale
  • A 19 — Otto mesi in due ore
  • A 20 — Il borgomastro di Saardam
  • A 21 — Le convenienze ed inconveniente teatrali
  • A 22 — L’esule di Roma
  • A 23 — Alina, regina di Golconda

Works with unknown Allitt numbers

Incomplete, Projected, Attributed Operas, Pastiches; Compositions for Voices with Orchestra; Cantatas (A69-A158)

Incomplete, Projected, and Attributed Operas; Pastiches (A69-A90)

Compositions for voice(s) with orchestra (A91-A124)

Cantatas (A125-A158)

Note: The list includes azioni pastorali and hymns performed on stage.

  • A 125 — Il Pigmalione. Scene lirica. Libretto by unknown; source: Sografi’s translation (1790) of Rousseau’s Pygmalion, 1770. First performance: Teatro Donizetti, Bergamo, 13 Oct 1960. F-Pc: autograph score, on which Donizetti notes: «Cominciata li 25 7bre, Anita a di 1 8bre 1816 ore quasi due antimeridiane, giorno di martedì. Ingresso del Legato nuovo» — In.1 libretto
  • A 126 — Aristea. Azione pastorale in 1 act. Libretto: Giovanni Federico Schmidt. First performance: Teatro San Carlo, Naples, 30 May 1823 — In.246
  • A 127 — I voti sudditi. Azione pastorale in 1 act. Libretto: Giovanni Federico Schmidt. First performance: Teatro San Carlo, Naples, 5 May 1825. Published: Tipografia Flautina, Naples, 1825 (untraced)
  • A 128 — La partenza. First performance: Palermo, Carolino, for departure of General delle Favare, July 1825 — In.274
  • A 129 —
  • A 130 —
  • A 131 —
  • A 132 —
  • A 133 —
  • A 134 —
  • A 135 —
  • A 136 —
  • A 137 —

Cantatas for more than one voice (A138-A142)

  • A 138 —
  • A 139 —
  • A 140 —
  • A 141 —
  • A 142 — Giovanni or Il genio. Cantata composed for Mayr’s 78th birthday. Libretto: Gaetano Donizetti. For male voices (TTB chorus), pf and orchestra. 1841
    • =? Dalla Francia un saluto t’invia, T, B, B, TTBB, orch, pf, Paris, May 1841, perf. Bergamo, for Mayr’s 78th birthday, 14 June 1841, ed. J.S. Allitt and U. Schaffer (London and Davos, 1975) — In.255

Cantatas for soprano (A143-A147)

  • A 143 — Cerere. Cantata for S and orchestra. 1817. Untraced
  • A 144 — Angelica e Medoro. Cantata taken from an episode in Ariosto’s Orlando furioso. For S and pf. Dedicated to Anna Carnevali. May 1822. Untraced — In.244
  • A 145 — La fuga di Tisbe. Cantata for S and pf. Dedicated to the Marchesa Medici di Marignano. 15 Oct 1824. Untraced — In.509
  • A 146 — Saffo. Cantata for S, chorus and orchestra. Probably 2 different compositions, incipits: «Faon, Faon! ahi misera» (dedicated to Virginia Vasselli, 1828) and «Pietà, gran dio degli astri» — In.292
  • A 147 — Birthday cantata. «dell’ottima madre Sig.ra Anna Carnevale, umilmente D., Donizetti 1837» [?]. For S and pf

Cantatas for tenor (A148-A151)

  • A 148 — A Silvio Amante. Cantata fot T and orchestra. 1823 — In.247
  • A 149 — Qual fremito soave. Libretto: Jacopo Ferretti. Birthday cantata, composed for Count Antonio Lozano and sung by Piero Angelini, with the composer at the piano, in the Lozano family home in Rome, 13 Jun 1832
  • A 150 — Il fato. Libretto: Jacopo Ferretti. Birthday cantata — In.262
  • A 151 —

Cantatas for bass (A152-A154)

  • A 152 —
  • A 153 —
  • A 154 —

Other cantatas (A155-A158)

  • A 155 —
  • A 156 —
  • A 157 — Uno sguardo. Libretto: Felice Romani. Performed in the home of Emilia Branca, Milan. Emilia Branca was to become Romani’s wife. Score lost or in a private collection — In.302
  • A 158 — Inno (cantata) composed for the birthday of D. Pietro Pangrati — In.535?

Works with unknown Allitt numbers

Incomplete operas

  • Olimpiade (1817). Only one piece (most probably the only one composed): Ne’ giorni tuoi felici. Scena e duetto (Aristea, Megacle) — In.2 libretto
  • L’ira di Achille (1817). Only first act and a duet from at 2 — In.3
    • Includes: Nume di Delo, Latonia prole. Scena, recitativo e aria. B with chorus

Compositions for voice(s) with orchestra

  • Amor, mio nume, In.242. Aria for S with orchestra (1816)
  • Andrò da te lontana. Aria for S and orchestra — In.243
  • Aria per soprano, corno obbligato e orchestra, dedicata alla cantante Carolina Magni ed eseguita al Teatro Riccardi di Bergamo l’11 [?] settembre 1820 — In.245
  • Il pescatore. Voice and orchestra. I-VAF (Busta 106 n. 3): partitura e parti staccate mss. per orchestra — In.265
  • Ah! quel Guglielmo. Sextet (SSTTBB) with orchestra (1812) — In.240? (Ah! qui Guglielmo) ; A115?
  • Il prigioniero è là (recitative with strings), «Dopo l’aria di Acmet atto II». — Grato il mio cor fia sempre, «dopo il coro atto II». See Lucrezia Borgia — In.266

Cantatas

Songs, Duets, Trios, Quartets, Quintet (A159-A434)

Published collections (A159-A245)

In A Title Key Forces Date Librettist
(Translator)		 Section Notes
323 159 Amor corrisposto [?]
(Bei labbri che amore formo)		 v pf Pietro Metastasio 21: Songs — Published collections 3 Canzonette per soprano, A 159-161 (Rome, C. Ratti e G.B. Cencetti, 1822; dedicated to the Marchesa Teresa de’ Medici di Marignano): No.1
412 160 La gelosia. Canzonetta veneziana
(Non giova il sospirar)		 v pf Pietro Metastasio 21: Songs — Published collections 3 Canzonette per soprano, A 159-161 (Rome, C. Ratti e G.B. Cencetti, 1822; dedicated to the Marchesa Teresa de’ Medici di Marignano): No.2. See also A 215
433 161 Rendimi il core, o barbaro. Romanza agitata v pf 21: Songs — Published collections 3 Canzonette per soprano, A 159-161 (Rome, C. Ratti e G.B. Cencetti, 1822; dedicated to the Marchesa Teresa de’ Medici di Marignano): No.3
340 162 Morire per te. Canzonetta
(Eterno amore e fè ti giuro)		 v pf 21: Songs — Published collections Collezione di canzonette, A 162-170: No.1
336 163 D’un genio che m’accendi. Canzonetta v pf Pietro Metastasio 21: Songs — Published collections Collezione di canzonette, A 162-170: No.2
334 164 Del colle in sul pendio. Canzonetta v pf 21: Songs — Published collections Collezione di canzonette, A 162-170: No.3
360 165 Il sorriso è il primo vezzo. Canzonetta v pf 21: Songs — Published collections Collezione di canzonette, A 162-170: No.4
445 166 Su l’onda tremula ride la luna. Canzonetta v pf 21: Songs — Published collections Collezione di canzonette, A 162-170: No.5
366 167 L’amor funesto. Duettino
(Io d’amor, oh Dio! mi moro)		 2vv pf Pietro Metastasio 21: Songs — Published collections Collezione di canzonette, A 162-170: No.6. Not to be confused with the song for bass L’amor funesto, A 286 (Più che non ama un angelo). Also A 182
345 168 Ha negl’occhi un tal incanto 2vv pf Pietro Metastasio 21: Songs — Published collections Collezione di canzonette, A 162-170: No.7
169 Ho perduto il mio tesoro. Duettino
(also known as Faccia lagrimante)		 2vv pf Pietro Metastasio 21: Songs — Published collections Collezione di canzonette, A 162-170: No.8
438 170 Se schiudi il labbro, o Fillide. Divertimento SSTTB 21: Songs — Published collections Collezione di canzonette, A 162-170: No.9
310 171 La partenza del crociato. Arietta
(Al campo della gloria)		 v pf Francesco Puoti 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.1
Le depart du croisé
(Aux champs de la victoire)		 Crevel de Charlemagne
414 172 Non priego mai né pianto. Canto elegiaco e romanza
(also known as Una prece sulla mia tomba; L’ultimo dì)		 v pf Giovanni Redaelli 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.2
333 173 I fervidi desiri. Canzonetta
(Da me che vuoi, che brami?)		 2vv pf 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.3
430 174 Quando verrà sul colle. Romanza v pf 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.4
357 175 Il nome. Arietta
(Voi vorreste il nome amato)		 v pf 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.5
176 Ah! ingrato m’inganni. Arietta v pf 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.6
450 177 La voce del core. Duetto
(T’intendo, sì, mio cor)		 2vv pf Pietro Metastasio 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.7
451 178 I sospiri. Duettino
(Ti sento, sospiri)		 2vv pf Pietro Metastasio 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.8. See also Ti sento, sospiri, A 387
574
431 179 Questi capelli bruni. Romanza v pf 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.9
429 180 Quando da te lontano. Romanza v pf Giovanni Battista Niccolini 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.10. Words from «Antonio Foscarini»
322 181 Bedda Eurilla / La vendetta. Canzonetta siciliana v pf 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.11
366 182 Io d’amor, oh Dio! mi moro. Duettino 2vv pf Pietro Metastasio 21: Songs — Published collections Donizetti per camera. Raccolta di ariette e duettini, A 171-182 (Naples, Girard): No.12. Also A 167
350 183 Il barcaiuolo. Barcarolle
(Voga, voga, il vento tace)		 v pf Leopoldo Tarantini 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.1
Un jour en mer
352 184 Il crociato. Romance
(Colle piume sul cimiero)		 v pf Carlo Guaita 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.2
Le croisé
311 185 A mezzanotte. Ariette
(Quando notte sarà oscura)		 v pf 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.3
À minuit
390 186 La torre di Biasone. Ballade
(Vedi là, sulla collina)		 v pf Leopoldo Tarantini 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.4
La tour enchantée
373 187 La conocchia. Chanson napolitaine
(Quann’ a lo bello mio voglio parlare)		 v pf 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.5
La fileuse
188 Le crépuscule. Romance
(L’aube naît, et ta porte est close!)		 v pf Victor Hugo 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.6
354 189 Il giuramento. Nocturne
(Tuo, finché il sol rischiara)		 2vv pf Michele Palazzolo 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.7
Le retour des proscrits
391 190 L’aurora. Nocturne
(Vedi come in sul confine)		 2vv pf Leopoldo Tarantini 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.8
Les jeunes filles de Sorrente
381 191 L’alito di Bice. Nocturne
(O profumo delicato)		 2vv pf Francesco Puoti 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.9
Le départ du volontaire
(Le tambour au loin résonne)		 Crevel de Charlemagne
318 192 Amor, voce del cielo. Brindisi
(Sì, t’amo, a te nascondere)		 2vv pf Leopoldo Tarantini 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.10
Les Napolitains. Nocturne
(En mains les mandolines)		 Crevel de Charlemagne
455 193 Uno sguardo ed una voce. Nocturne
(Un guardo di nera pupilla)		 2vv pf Michele Palazzolo 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.11
Une nuit sur l’eau
(L’air est pure)
349 194 I bevitori. Brindisi
(Mesci, mesci e sperda il vento)		 2vv pf Leopoldo Tarantini 21: Songs — Published collections Nuits d’été à Pausilippe, A 183-194: No.12
Les chasseurs de Chamois
(Vite, à la montagne!)
382 195 La lontananza. Arietta
(Or ch’io sono a te rapita)		 v pf Felice Romani 21: Songs — Published collections Soirées d’automne à l’Infrascata, A 195-200 (Naples, Girard, 1837): No.1
383 196 L’amante spagnuolo. Bolero
(Corri destrier, deh, celere!)		 v pf Leopoldo Tarantini 21: Songs — Published collections Soirées d’automne à l’Infrascata, A 195-200 (Naples, Girard, 1837): No.2
314 197 Amore e morte. Arietta
(Odi d’un uom che muore)		 v pf Giovanni Redaelli 21: Songs — Published collections Soirées d’automne à l’Infrascata, A 195-200 (Naples, Girard, 1837): No.3
316 198 Amor marinaro. Canzonetta napoletana
(Me voglio fà ‘na casa miez’ ‘o mare)		 v pf 21: Songs — Published collections Soirées d’automne à l’Infrascata, A 195-200 (Naples, Girard, 1837): No.4
353 199 Il fiore. Duettino pastorale
(Qui dove mercè negasti)		 2vv pf 21: Songs — Published collections Soirées d’automne à l’Infrascata, A 195-200 (Naples, Girard, 1837): No.5
400 200 L’incostanza d’Irene. Duettino
(Saria più fida Irene)		 2vv pf Pietro Metastasio 21: Songs — Published collections Soirées d’automne à l’Infrascata, A 195-200 (Naples, Girard, 1837): No.6
358 201 Il pescatore
(Era l’ora che i cieli)		 v pf Achille de Lauzières
(after Friedrich Schiller)		 21: Songs — Published collections Un hiver à Paris ou Rêveries napolitaines, A 201-207 (Naples, Girard, 1839): No.1
Le pêcheur du Danube
(C’était l’heure où tout est silencieux)		 Frédéric de Courcy
388 202 La ninna-nonna
(Dormi fanciullo mio)		 v pf Achille de Lauzières 21: Songs — Published collections Un hiver à Paris ou Rêveries napolitaines, A 201-207 (Naples, Girard, 1839): No.2
La mère au berceau de son fils
(Dors, l’enfant de ta mère)		 Frédéric de Courcy
203 Il trovatore in caricatura
(Era notte e la campana)		 v pf Lorenzo Borsini 21: Songs — Published collections Un hiver à Paris ou Rêveries napolitaines, A 201-207 (Naples, Girard, 1839): No.3
Le troubadour à la belle étoile. Scène bouffe
(Chaque lumière est éteinte)		 Frédéric de Courcy
389 204 La sultana
(Là sedeva, sull’erto verone)		 v pf Leopoldo Tarantini 21: Songs — Published collections Un hiver à Paris ou Rêveries napolitaines, A 201-207 (Naples, Girard, 1839): No.4
La sultane
(Riche et belle, hélas!)		 Frédéric de Courcy
402 205 La dernière nuit d’un novice
(Demain, quand sonnera l’heure de la prière)		 v pf Adolphe Nourrit 21: Songs — Published collections Un hiver à Paris ou Rêveries napolitaines, A 201-207 (Naples, Girard, 1839): No.5. See also A 313
L’ultima notte di un novizio
(Doman, quando la squilla annunzi la preghiera)
375 206 L’addio
(Dunque addio, mio caro)		 v pf Felice Romani 21: Songs — Published collections Un hiver à Paris ou Rêveries napolitaines, A 201-207 (Naples, Girard, 1839): No.6
Gustave Vaëz
377 207 La folle de Sainte-Hélène
(Ils disent tous que je suis folle)		 v pf Adolphe Nourrit 21: Songs — Published collections Un hiver à Paris ou Rêveries napolitaines, A 201-207 (Naples, Girard, 1839): No.7
La pazza di Sant’Elena
(Stolta ognor me il mondo grida)

Matinée musicale, A 208-217 (Naples, Girard, 1841)

  • A 208 — Il tuo pensiero è il mio. Romanza (Oh quanto in me tu puoi) / Ton Dieu est mon Dieu (Connais sur mon âme asservie), trans. Auguste Richomme
    • There is an autograph in Paris with slightely diferent text: Oui, ton Dieu c’est le mien — In.531
  • A 209 — Il cavallo arabo (O corridor) / Le retour au désert (Léger coursier), trans. Auguste Richomme — In.351
  • A 210 — Preghiera (Dio che col cenno moderi) / Prière / Longue douleur (Dieu, Dieu qui d’un signe), trans. Émile Deschamps — In.428
    • Not to be confused with La prière, A 424, duet ST, text by Paul Lacroix
  • A 211 — La gondoliera. Barcarola for T / Oh vieni al mare! (Vieni, la barca è pronta) // La gondolière / Le senateur et la gondolière (Ah! viens la barque est prêt), trans. Émile Deschamps — In.379
  • A 212 — La corrispondenza amorosa (Cifre d’amor / O dolci righe [?]) / Les billets doux (Billets chéris), trans. Émile Deschamps — In.374
  • A 213 — La negra / La schiava africana (Fin dalla culla) / La nouvelle Ourika (Dès le berceau), trans. Auguste Richomme
  • A 214 — L’addio (Io resto fra le lagrime). Duetto / L’adieu (Je reste abandonnée), trans. Émile Deschamps — In.376
  • A 215 — La gelosia (Non giova il sospirar). Scherzo a 2 voci. Words by Metastasio / Querelle d’amour (Tu n’auras rien, ma foi), trans. Émile Deschamps. — In.378 See A 160
  • A 216 — La campana (Il sol discende). Quartettino (TTBB) / La cloche (Dejà le jour baisse), trans. Eugène de Lonlay — In.372
  • A 217 — Rataplan / La partenza del reggimento / I quattro coscritti [?] (Rataplan, convien partir). Quartettino (TTBB) — In.432

Ispirazioni viennesi, A 218-224 (Milan, Ricordi, 1842). Words by Carlo Guaita

  • A 218 — La zingara (Fra l’erbe cosparse di rorido gelo) / La bohémienne, trans. Crevel de Charlemagne
  • A 219 — Non m’ami più/ L’ingratitudine / L’ ingratitude (Tu n’aimes plus! perfide!), trans. Crevel de Charlemagne / also translated into German by G. Habnel
  • A 220 — L’ora del ritorno (Odi, Elisa: questa è l’ora) / L’heure du retour (Lise, écoute, voici l’heure), trans. Crevel de Charlemagne — In.401
  • A 221 — Il sospiro (Donna infelice, stanca d’amore) / Sombres pensées (Femme coupable et téméraire!), trans. Crevel de Charlemagne
  • A 222 — È morta (Morta! e ieri ancor qui vagheggiai) / Morte et pourtant hier je la voyais — In.339
  • A 223 — Predestinazione (Qual colomba che fugge pel cielo) — Duet
  • A 224 — Che vuoi di più (Che vuoi di più? Non splende) — Duet — In.330

Raccolta di canzonette e duettini, A 225-232 (Milan, Francesco Lucca), posthumous

  • A 225 — Il giglio e la rossa (Non sdegnar vezzosa Irene). See A 238 — In.415
  • A 226 — Occhio nero incendiator. Song in G major.
  • A 227 — Tengo no n’namurato. Canzonetta — In.448
  • A 228 — Lu tradimiento (Ah traditor tu m’haje lassata). Canzonetta napoletana — In.308
  • A 229 — Au tic tac des castagnettes. Canzonetta — In.320
  • A 230 — Aimer ma Rose est la sort de ma vie. Romanza — In.309
  • A 231 — Che ciel sereno. Duettino (ST)
  • A 232 — O crudel che il mio pianto non odi. Duettino (ST). See A 242

Dernières glânes musicales, A 233-242 (Milan, Ricordi), posthumous

  • A 233 — Sì o no. Canzonetta giocosa (Tutte le femmine fanno così) — In.441
  • A 234 — Un bacio [detto?] di speranza. Romanza / Un baiser pour espoir (Je vais quitter tpus ceux qui j’aime) — In.452
  • A 235 — Addio (Partir conviene). Romanza
  • A 236 — Leonora. Romanza (Partir conviene: Leonora, addio) / Léonore. Romance. Italian translation by G. Vitali — In.396
  • A 237 — T’aspetto ancor (Nel tuo [suo?] cammin fugace). Romanza n G major. Italian translation (from French) by G. Vitali — In.446
  • A 238 — Il giglio e la rosa (Non sdegnar vezzosa Irene). Canzonetta. See A 225 — In.415
  • A 239 — La mère et l’enfant (Un voile blanc couvrait la terre). Melodia. Words by Auguste Richomme / La madre e il figlio (Un bianco velo qua il suol corpia). Also with orchestra, ded. M. de Coussy — In.384 (with piano), In.273 (with orchestra)
    • There are editions with title: Mon pauvre enfant
  • A 240 — La chanson de l’abeille (Sur les fleurs voltige une abeille) / La Canzone dell’ape (L’ape intorno ai fior s’aggira). Canzonetta. Words by H. Lucas. Italian translation by G. Vitali
  • A 241 — La passegiata al lido (Che bel mar, che bel sereno). Duettino — In.327
  • A 242 — L’ultimo rimprovero (O crudel che mio pianto non odi). Duettino. See A 232

Tre melodie, A 243-245 (Milan, Francesco Lucca, n.d.)

  • A 243 — Giovanna Gray (Io morrò, sonata è l’ora). Romanza for S. Text also in German.
  • A 244 — L’amor mio / L’arcano del cuore (Amo sì, ma l’amor mio). Romanza for S; words by Felice Romani. Text also in German: Ja, ich lieb’ doch meine Liebe (Meine Liebe)
  • A 245 — La savoiarda (Lasciata ho la montagna) / La savoyarde. Romanza for S. — In.436

Not contained in collections: Songs in the soprano clef (A246-A277)

  • A 246 —
  • A 247 —
  • A 248 —
  • A 249 —
  • A 250 —
  • A 251 —
  • A 252 —
  • A 253 — Heureuse qui près de toi (Sappho; accompaniment missing)
  • A 254 —
  • A 255 —
  • A 256 — Romanza moresca (Il mio grido getto ai venti). Ded. Sterlich, 1844 — In.356
  • A 257 —
  • A 258 —
  • A 259 —
  • A 260 — N’ornerà la bruna chioma (preceded by a scene: Maggior di nostra speme oggi). Words by Felice Romani (ded. L. Freppa Cottrau) — In.417
  • A 261 —
  • A 262 —
  • A 263 —
  • A 264 —
  • A 265 —
  • A 266 —
  • A 267 —
  • A 268 — Sovra il remo sta curvato. Words by L. Mira — In.444
  • A 269 —
  • A 270 — Trova un sol mia bella Clori. Words by Metastasio. The melody is different from A281. — In.576
  • A 271 —
  • A 272 —
  • A 273 —
  • A 274 —
  • A 275 —
  • A 276 — Un baiser pour espoir / Un detto [bacio?] di speranza (Je vais quitter tous ceux que j’aime / Abbandonar ogni mio bene). For mS or B. Published by Girard and Cottrau. French text is the original one. Italian translation by G. Vitali. — In.454? = A 290
  • A 277 — Nice s’io moro. Arietta in F minor for mS — In.520

Not contained in collections: Songs in the tenor clef (A278-A282)

  • A 278 — Ella riposi alcuni istani almeno. Cavatina composed for Prince Poniatowsky — In.490
  • A 279 — O anime affanate, venite a noi parlar. Dante, Canto 5, vv. 80-118. «The setting breaks off just before Francesca, i tuoi martiri, indicating that the composer suddenly left off his work. Certain bars have been deleted and the vocal line is complete; however, the piano accompaniment is not fully realized» (Allitt). See A76 — In.524
  • A 279a — O animal grazioso e benigno. vv. 88-90. See A76
  • A 279b — Amor ch’a nullo amato amar perdona. «Terzina Dantesca posta in musica da G.D. a Parigi nel 1843». See A76 — In.467
  • A 280 — Spunta il dì, l’ombra sparì. Romanza in B ♭ major
  • A 281 — Trova un sol mia bella Clori. Words by Metastasio. The melody is different from A270 — In.577
  • A 282 — V’era un dì che il cor beato. Cantibile in B ♭ major

Not contained in collections: Songs in the bass clef (A283-A291)

  • A 283 — Dieu terrible, Dieu redoubtable (Noe, scene du deluge). Words by J. de Bouteiller (based on Il diluvio universale). Published by A. Catelin. 1839 Feb.
  • A 284 — Le renégat (J’ai renie ma folie) / Il rinnegato (Io rinnegai la mia fede). French text by Émile Pacini. Dedicated to Nicholas-Prosper Levasseur. A German versions of the song also exists. Edited by Ian Caddy
  • A 285 — La hart (Non loin de Mont-Faucon). Chant diabolique; words by Paul Lacroix; composed 1842. Published by Schlesinger
  • A 286 — L’amor funesto (Più che non m’ama un angelo). Romanza with cello/horn obbligato. Composed 1842. Dedicated to Prince Metternich, sung by Mariani. French translation by Gustav Vaez: Te dire adieu (Tu pars, il faut te dire adieu). — In.447 (Te dire adieu)
    • Not to be confused with L’amor funesto (Io d’amor, oh Dio! mi moro), A 167 = A 182
  • A 287 — Viva il matrimonio (Se tu giri tutto il mondo). Cavatina buffa composed about the same time as Il campanello (1836). Words by Leopoldo Tarantini, composed for the marriage of Baron Luigi Compagno to Maria de’ Marchesi del Carretto. Published by Ricordi — In.439
  • A 288 — Spirito di dio benefico. «Words almost certainly by Donizetti» (Allitt). Edited Ian Caddy. See also A 222 and A 355 (songs written in memory of Virginia Vasselli) — In.570
  • A 289 — Un coeur pour abri (Sur des bords inconnus). With pf or chi accompaniment. Words by Auguste Richomme; composed?, published 1841. Published Meissonnier and Heugel — In.453
  • A 290 — Un baiser pour espoir / Un detto [bacio?] di speranza (Je vais quitter tous ceux que j’aime / Abbandonar ogni mio bene). For B or mS. Published by Girard and Cottrau. French text is the original one. Italian translation by G. Vitali. — In.454? = A276
  • A 291 — Le départ pour la chasse (Voici la trace du cerf dix-cors). With horn obbligato. Words by Paul Lacroix. Edited by Ian Caddy — In.484

Not contained in collections: Songs for unspecified voice (A292-A400)

  • A 292 — Le dernier chant du troubadour (A ce titteul). G major. Published by Lucca
  • A 293 — A piè del mesto salice — In.471 — The Willow song from Othello?
  • A 294 — Addio brunetta, son già lontano. See Journal of the Donizetti Society 2 (1975), p.155.
  • A 295 — Adieu, tu brise et pour jamais — In.459
  • A 296 — Ah, che miro o sventurato
  • A 297 — Ah, fù un sogno il mio contento
  • A 298 — Ah, non lasciarmi. Words by Metastasio. See A 401
  • A 299 — Les yeux noirs et les yeux bleus (Ah! quel embarras extrême!). Words by E. Monnier
  • A 300 —
  • A 301 —
  • A 302 —
  • A 303 —
  • A 304 —
  • A 305 — Il pescatore / Il lago (Batte il bronzo). Text by Achille Ricciardi bnf — In.321
  • A 306 — Le violon de Cremone (Cet instrument silencieux renferme l’âme de ma fille). Words by Hoffmann
  • A 307 —
  • A 308 — Come volgeste rapidi, giorni de’ miei primi anni. Romanza
  • A 309 — Credo du martyr. Song for (?T) unaccompanied voice. Published Schonenberger and Lemoine
  • A 310 — Dal palpitar cessate. Cavatina
  • A 311 — Amour jaloux (Dans un salon si quelqu’un vous demand). F-Pc: pf accompaniment not completely realized — In.469
  • A 312 — Dell’anno nuovo [novello?]. Canzonetta — In.482
  • A 313 — Demain quand sonnerat l’heure de la prière. See also A 205
  • A 314 — Elle m’a dit: parlez! Published by Schonenberger and Lemoine — In.337
  • A 315 — Elle n’existe plus. G major. Published by Lucca (French an Italian text) — In.338
  • A 316 — Le pauvre exilé (Faut-il, helas! sans esperance). Romance. Words by Adolphe de Leuven. Published by Escudier
  • A 317 — Faut-il renfermer dans mon âme. Mélodie. B ♭ major
  • A 318 — Gardes tes moutons (Gentille fillette). Romanza. Published by Richault
  • A 319 — Già presso al termine de’ suoi martiri. Words by Metastasio
  • A 320 —
  • A 321 —
  • A 322 —
  • A 323 —
  • A 324 —
  • A 325 —
  • A 326 —
  • A 327 —
  • A 328 —
  • A 329 —
  • A 330 — J’attends toujours / Les soupirs (Dans la course rapide). Romance. Words by Eugène de Lonlay. Published by Schonenberger and Lemoine — In.369
  • A 331 — Je donnerais d’un cœur joyeux. Unaccompanied song
  • A 332 — L’agonia dell’amore. Published in Leipzig — In.380
  • A 333 — L’attente (La mère, ma toute belle). French translation from the Italian «Nel suo cammin». Published by Escudier — In.319
  • A 334 — La mia fanciulla (Ah! se d’amore un palpito). Published by Cottrau
  • A 335 — Lamento di Cecco di Varlungo — In.510
  • A 336 — L’étrangère — In.492
  • A 337 — Le bal masqué. Words by Paul Lacroix
  • A 338 — Le page. Romanza. Published by Bernard (St Petersburg) — In.397
  • A 339 — Le pirate. Words by S. Saint-Étienne. Published in the collection Lyre Francaise, Mainz
  • A 340 — Les gondoliers de l’Adriatique (La brise plaintive). Words by Crevel de Charlemagne. Published by Latte — In.344
  • A 341 — Lumi rei del mio martire. See A 431
  • A 342 — Lungi te ne vai da Italia — In.514
  • A 343 — Il sospiro (Malvina la bella sull’arpa scioglierà). Words by Andrea de Leone
  • A 344 —
  • A 345 —
  • A 346 —
  • A 347 — La fiancée du timballier (Monseigneur le duc de Bretagne). Words by Hugo. 14 Jan 1843
  • A 348 —
  • A 349 —
  • A 350 —
  • A 351 —
  • A 352 — Le miroir magique (Ninetta, celle que j’aime). Words by Édouard Plouvier
  • A 353 —
  • A 354 — Non v’è più barbaro di chi non sente — In.523
  • A 355 — Nostre misere menti e nostre salmi. Words by Leopardi («Il sogno», last 9 verses). Composed after July 1837. The piece concludes with the aria «Tu che a Dio spiegasti l’ali» (Lucia di Lammermoor). «This song is clearly written in the context of Virginia Donizetti’s death» (Allitt)
  • A 356 — L’abbandono / La fidanzata (No, tu non m’hai tradita). With pf or harp. Published by Martelli, Cottrau — In.418
  • A 357 — O filles que l’ennui chagrine. Unaccompanied song — In.525
  • A 358 — Le petit joueur de harpe (O ma harpe, seul héritage). Words by Paul Lacroix. Song with a harp and a piano. Incomplete autograph score
  • A 359 — Auf dem Meere (Ob die Stürme auch wüten). Published in Vienna (?)
  • A 360 — Oh, Cloe, delizia di questo core — In.526
  • A 361 — Uno sguardo (Oh di quegli occhi teneri). A song improvised in an evening at Paolo Branca’s home in Milan by the composer and Felice Romani. See A390 — In.582
  • A 362 — Un rêve de bonheur (Oh, je rêve d’une étrangère). Words by Émile Deschamps — In.527
  • A 363 — On vous a peint l’amour (also known as N’ayez plus peur, madame, which is written on the score). C major. Words by Paul Lacroix — In.528
  • A 364 — Oui, je sais votre indifférence — In.530
  • A 365 — Le petit montagnard (Oubre-moi, bonne mère). Dedicated to Zelie de Coussy. Published by Cottrau and France Musicale — In.398
  • A 366 — La speranza (Parto, parto) — In.569
  • A 367 — Pas d’autre amour que toi. Words by Émile Barateau. Dedicated to Zelie de Coussy. Published by Meisonnier and Heugel
  • A 368 — Amor tiranno (Perché due cori insieme). Words by Metastasio. Published by Girard — In.317
  • A 369 — Perché, se mai mia tu sei. C major. Words by Metastasio. Dedicated to Contessa Ludolf — In.534
  • A 370 — Philis plus avare que tendre
  • A 371 — Plus ne m’est rien. E flat major
  • A 372 — Pourquoi me dire qu’il vous aime. D ♭ major — In.540
  • A 373 — Doux souvenirs vivez toujours (Pourquoi, toujours, avoir, dans ma pensée). Words by Émile Barateau
  • A 374 — Vision (Quand descend la nuit sombre). Words by Édouard Plouvier
  • A 375 —
  • A 376 —
  • A 377 —
  • A 378 —
  • A 379 —
  • A 380 —
  • A 381 —
  • A 382 —
  • A 383 —
  • A 384 — Rose che un dì spiegaste — In.555
  • A 385 — Se a te d’intorno scherza. See Journal of the Donizetti Society, 2 (1975), p. 158. — In.437
  • A 386 — Seul sur la terre, en vain j’espère — In.563
  • A 387 — Ti sento, sospiri (Si, tanto sospiri, ti lagni d’amore is incorrect). See A 178 — In.451/574 — In.565?
  • A 388 — La musulmane (Si tu m’aimais, o musulmane). Words by Maurice Bourges. Published by Brandus
  • A 389 — Si tu m’as fait ton image — In.566
  • A 390 — Il ritratto (Son due stelle i cari occhietti). An improvised song with words by Felice Romani, composed one evening at the home of Paolo Branca in Milan. — In.554. See A 361
  • A 391 — Sorgesti alfine, aurora
  • A 392 — Sospiri, aneliti che m’opprimete
  • A 393 — Su questi allori — In.572
  • A 394 — Taci invan mia cara Iole. E ♭ major. Dedicated to «De Martino, 1834» — In.573
  • A 395 — (Io) te voglio bene assaje. Neapolitan song. Words by Raffaello Sacco; attributed by Donati-Petteni. Published by Ricordi — In.449
  • A 396 — Una vergine donzella. A minor — In.581
  • A 397 — La voix d’espoir (Une voix douce et pure). Words by M. Cimbal. Published by Maeyens, Couvreur and Durand
  • A 398 — Les revenants (Un soir a l’heure ou finit la veillé). Words by Paul Lacroix — In.552
  • A 399 — Lamento per la morte di Bellini (Venne sull’ali ai Zeffiri). Words by Andrea Maffei, dedicated to Maria Malibran. Published by Ricordi — In.456
  • A 400 — Vien ti conforta, o misera

Not contained in collections: Duets (A401-A424)

  • A 401 — Ah, non lasciarmi, no bell’idol mio. A ♭ major. Words by Metastasio. See A 298
  • A 402 — Che cangi tempra. SS. E ♭ major — In.328
  • A 403 — Irene e Dafne (Dammi di fede un segno). C major, Adagio — Allegro
  • A 404 — Armida e Rinaldo (Desio di gloria, e a me chi trasse amore). ST. Words by Tasso — In.472
  • A 405 — Duettino (Untitled). SS. I-Nc: autograph score
  • A 406 — Duet (Untitled). SS. Dedicated to ‘Marchesa Medici’. F-Pc: autograph score
  • A 407 — Duet (Untitled). SS. Composed 19 Dec 1822 for Clementina Carnevali and Nicola Cartoni. The autograph score is in a private collection — In.489
  • A 408 — Godi diletta ingrata. ?ST
  • A 409 — Mi lasci? Si. Recitative and duet for Deidamia and Don Achille. Words by Metastasio — In.518
  • A 410 — Non me spezzar Licori. SS. Words by Metastasio — In.522
  • A 411 — C’est le printemps (On entend dans les brises). Chansonette-valse, for two voices. Words by Édouard Plouvier.
  • A 412 — Ero e Leandro (Parto, è ver ma pensa ognora). SS. E ♭ major. Largo — Allegro
  • A 413 — Per valli, per boschi. Canzonetta con l’eco. SS. Composed 27 Aug 1819, Bologna
  • A 414 — Quegli sguardi e quegli accenti. SS. I-BGmd: autograph score (misplaced) — In.548
  • A 415 — Sape uscia che a la masta lo marito che bò dì. ?SB — In.556
  • A 416 — Se mai turbo il tuo riposo. SS. Words by Metastasio — In.558
  • A 417 — Sempre più t’amo, mio bel tesoro. ?ST — In.559
  • A 418 —
  • A 419 —
  • A 420 —
  • A 421 —
  • A 422 —
  • A 423 —
  • A 424 — La prière (Voici le jour qui va paraître)
    • Not to be confused with Preghiera (La prière), A 210 from Matinée musicale, A 208-217

Not contained in collections: Trios (A425-A428)

Not contained in collections: Quartets (A429-A434)

  • A 429 —
  • A 430 —
  • A 431 — Lumi rei del mio martire, for 4 voices (12 Jun 1817). See A 341
  • A 432 —
  • A 433 —
  • A 434 — Strofe di Byron:
  1. Sien l’onde placide
  2. Per noi la vita
  3. Ma poi passati stragi e orror

Appendix to songs

Note: the list is preserved here as it is in Allitt’s catalogue (there are mistakes, missing numbers etc.). Lists a and b include translations from the Italian.

  • a. Songs with French text: A171; A188; A190; A192; A202-A222; A229; A230; A234; A236; A239; A240; A245; A246; A249; A253; A254; A257; A275; A283-A286; A289; A291; A292; A295; A299; A306; A311; A313-A318; A321; A329-A331; A333; A336-A340; A344; A346; A347; A352; A357; A358; A362-A365; A367; A370-A376; A386; A388; A389; A397; A398; A411; A424; A426
  • b. Songs with German text: A201; A219; A236; A243; A244; A284; A350; A359; A382
  • c. Songs in Neapolitan: A187; A198; A227; A228; A302; A395
  • d. Songs in Sicilian: A181; A351
  • e. Songs with pianoforte accompaniment and another instrument: A179 (vn); A261 (cl); A286 (vc or hn); A291 (hn); A306 (vn); A329 (va); A375 (org)

f. Authors of texts

  • Dante Alighieri: A279; A279a; A279b
  • Emile Barateau: A367; A373
  • G.B. Bonola: A383
  • A. Borsini: A203
  • Maurice Bourges: A388
  • J. de Bouteiller: A283
  • M. Cimbal: A397
  • Erode de Champs: A362
  • Crevel de Charlemagne: A340 and numerous translations
  • Sesto Giannini: A256
  • A. de Lauzieres: A201
  • Andrea de Leone: A343
  • Adolphe de Leuven: A316
  • Eugene de Lonlay: A330
  • Auguste de Richomme: A239; A289
  • Gaetano Donizetti: A222 (? trans); A288
  • G. Guaita: A184; A218-A224
  • E.T.A. Hoffmann: A306
  • Victor Hugo: A188; A347
  • Paul Lacroix: A210; A285; A291, A337; A358; A363; A398; A424
  • Giacomo Leopardi: A355
  • H. Lucas: A240
  • Andrea Maffei: A399
  • Metastasio (Pietro Trapassi): A159; A160; A163; A167; A169; A177; A178; A182; A200; A247; A252; A265; A270; A281; A298; A319; A368; A369; A380; A401; A410; A416; A418; A419
  • Luigi Mira: A268
  • Etienne Monnier: A299
  • G.B. Niccolini: A180
  • Adolph Nourrit: A205; A207
  • Emile Pacini: A284
  • Palazzolo: A189; A193
  • Edouard Plouvier: A352; A374; A411
  • F. Puoti: A171; A191
  • G.L. Redaelli: A172; A197
  • Achille Ricciardi: A305
  • Felice Romani: A195; A206; A244; A260; A361; A390
  • Raffaello Sacco: A395
  • Sappho: A253
  • S. Saint-Etienne: A339
  • Friedrich Schiller: A201
  • Torquato Tasso: A404
  • Leopoldo Tarantini: A183; A186; A190; A192; A194; A196; A204; A287
  • Gustave Vaez: A206 (trans); A286 (trans)
  • G. Vitali: A249
  • v. der Mises: A382

Works with unknown Allitt numbers

Songs

  • Addio! (Ahi! tu mi fuggi addio!) Romanza. Traduzione dal francese di G. Vitali (Ricordi, plate 15920 — see bnf ) = A 295?
  • Ah! rammenta, o bella Irene (ded. Signora M.P. de Sevigny); ediz. Ricordi, Milano, s.a. — In.307
  • Ah, si tu voulais toi que j’aime. 1842 — In.465 ( BNF )
  • Amiamo (Or che l’età ne invita) — In.312
  • Amis courons chercher la gloire, In.466
  • Ammore!, popular song in Napoletan dialect — In.313
  • Anch’io provai le tenere smanie — In.470
  • Au pied d’une croix (Voyez-vous cette femme) ( BNF )- with respect to Inzaghi entries: In.278 and In.473
  • Berceuse (Questo mio figlio) — In.324
  • Combien la nuit est longue, In.480 (also known as Hélas, j’entend sonner une heure)
  • Depuis qu’une autre a su te plaire (ded. G. Sterlich, 1844)
  • È più dell’onda instabile — In.491
  • J’aime trop pour être heureux. With viola obbligata — In.368
  • La farfalla e il poeta (Io son farfalla e volo) — In.493
  • Fausto sempre (aria per la sig. Boccabadati, da cantarsi nel Barbiere di Siviglia)
  • Fra le belle Irene è quella, canzonetta (Metastasio) — A 252?
  • La gondola (Meco in barchetta celere). Published Latte BNF
  • Gran Dio mi manca il cor
  • Il m’aime encore, doux réve de mon âme — In.503 BNF ?
  • Il mio ben m’abbandonò — In.355
  • Io son pazza capricciosa — In.367
  • Je vais quitter tout ce quej’aime (ded. to brothers Escudier)
  • Malvina (Depuis qu’une autre a su te plaire / Dal di che un’altra ti fu più bella), scène dramatique. Italian translation (from French) by G. Vitali — In.404
  • Marie enfin quitte l’ouvrage, In.515. Words by Pierre-Jean de Béranger (Le prisonnier de guerre)
  • Mentre del caro lido — In.516
  • Mon enfant, mon seul espoir
  • Nice, st’occhiuzzi càlali — In.521
  • Non amerò che te (Ah! se d’amore un palpito). Italian translation (from French) by G. Vitali. Same as A334? — BNF
  • Non amo che te
  • Non v’è nume non v’è fato, romanza (ded. by E. Branca) — In.416
  • . Ded. Teresina Spadaro. With clarinet obbligato — A 261?
  • Ov’è la voce magica, melodia (ded. C. Sterlich, 25 novembre 1844)
  • Il pegno, canzonetta
  • Perché mai Nigella amata, In.533
  • Quand un soupçon mortel, In.546
  • Quand je vis que j’étais trahie. Religious scene with piano or organ — In.543 ; A 375?
  • Quando il mio ben io rivedrò — In.544
  • Quando morte coll’orrido artiglio — In.545
  • Quanto mio ben t’adoro — In.547
  • Qui sospirò, là rise — In.551
  • Il ritorno del trovatore da Gerusalemme (Alfin di Gerosolina vinto) — In.553 BNF
  • Se lontan ben mio tu sei (Metastasio) — In.557 ; A 265?
  • Se talor più nol rammento
  • Il sospiro del gondoliero (Sull’onda cheta e bruna). There is also a duet on this text
  • Sovra il campo della vita. Larghetto (ded. Sterlich)
  • Troppo vezzosa è la ninfa bella — In.575
  • Il trovatore (Del Giordano in sulle sponde). Ded. T. Spadaro — In.758
  • Tu mi chiedi se t’adoro (ded. Mad. de Coussy, 1840) — In.579
  • Una tortora innocente (ded. V. Vasselli) — In.580
  • Vous dont le coeur

Duets, Trios and Quartets

Instrumental, Sacred, Fugues, etc. (A435-A729)

A «(p)» by the date means it is the date of performance, not of composition.

In A Title Key Forces Date Section Notes
435 Symphony E minor orch 1841 ca. 27: Symphony
436 orch 28: Sinfonie for orchestra
437 orch 28: Sinfonie for orchestra
438 orch 28: Sinfonie for orchestra
439 Sinfonia D major orch 1817-03-29 28: Sinfonie for orchestra
440 Sinfonia D major orch 28: Sinfonie for orchestra The so-called «Originale».
441 Sinfonia ‘La partenza’ orch 1817-10-25 28: Sinfonie for orchestra Composed on leaving Bologna. See A535.
442 Sinfonia D major orch 1817-12-17 28: Sinfonie for orchestra Composed in Bergamo.
443 Sinfonia in D minor in morte di Antonio Capuzzi D minor orch 1818-05-02 (p) 28: Sinfonie for orchestra Edited by M. Andreae.
597 444 Sinfonia ‘L’incendio’ orch 1819-03-19 28: Sinfonie for orchestra Inspired by Ferdinando Arrivabene’s ode of the same title.
445 Sinfonia D major orch 1832-33 (?) 28: Sinfonie for orchestra Incomplete. Themes from the sinfonia to Il furioso and the terzetto in act 2 of L’elisir d’amore.
599 446 Sinfonia sopra i migliori motivi del maestro Bellini E ♭ major orch 1836 28: Sinfonie for orchestra
447 Sinfonia per la cantata ‘In morte di M.F. Malibran’ orch 1837-03-11 28: Sinfonie for orchestra Performed at the Teatro alla Scala, Milan. The cantata’s other movements are by Paccini, Mercadante, Coppola and Vaccai.
602 448 Introduction D orch 29: Introductions, preludes, Rataplan
449 orch 29: Introductions, preludes, Rataplan
450 orch 29: Introductions, preludes, Rataplan
451 orch 29: Introductions, preludes, Rataplan
452 orch 29: Introductions, preludes, Rataplan
453 orch 30: Ballets
454 orch 30: Ballets
455 orch 30: Ballets
456 orch 30: Ballets
457 orch 30: Ballets
458 Veneziana orch 1953-04-09 (p) 30: Ballets Ballet arranged and orchestrated by Denis Aplvor; performed at Covent Garden, 9 Apr 1953; choreography: Andree Howard. Sources: Sinfonia to Roberto Devereux; ballet music to La favorite; an aria and recitative from Roberto Devereux; Tarantella Chorus from Parisina; Grand March from Il castello di Kenilworth; ballet music from Dom Sébastien.
608 459 English Horn Concertino G major eh orch 1816 31: Concertos Dedicated to Giovanni Catoffi, student of the Liceo Filarmonico of Bologna.
460 Clarinet Concerto E ♭ major cl orch 31: Concertos Autograph in private collection (Bergamo). Edited by Bernhard Päuler.
610 461 Double Concerto D minor vl vc orch 31: Concertos Allegro non tanto — Andante — Rondo. F-Pc: autograph score. Edited by Antonio Pocaterra.
462 31: Concertos
463 Concerto cl orch 31: Concertos Allegro. I-BGmd: autograph score.
464 Concerto (Amusement pathétique traité de l’Anna Bolena). vl orch 31: Concertos I-BGmd: autograph score. See A486 and A498.
628 465 String Quartet No.1 E ♭ major 2vl va vc 1817-12-26 32: String Quartets
629 466 String Quartet No.2 A major 2vl va vc 1818 32: String Quartets
630 467 String Quartet No.3 C minor 2vl va vc 1818 32: String Quartets
631 468 String Quartet No.4 D major 2vl va vc 1818-07-27 32: String Quartets
632 469 String Quartet No.5 E minor 2vl va vc 1818 32: String Quartets
633 470 String Quartet No.6 G minor 2vl va vc 32: String Quartets
634 471 String Quartet No.7 F minor 2vl va vc 1819-05-06 32: String Quartets «La mort de Monsieur le Marquis Joseph Terzi». Dedicated to Alessandro Bertoli.
635 472 String Quartet No.8 B ♭ major 2vl va vc 32: String Quartets Composed for Marco Bonesi.
636 473 String Quartet No.9 D minor 2vl va vc 1821-01-22 32: String Quartets
637 474 String Quartet No.10 G minor 2vl va vc 1821-01-26 32: String Quartets
638 475 String Quartet No.11 2vl va vc 32: String Quartets
639 476 String Quartet No.12 C major 2vl va vc 32: String Quartets
640 477 String Quartet No.13 A major 2vl va vc 32: String Quartets
641 478 String Quartet No.14 D major 2vl va vc 32: String Quartets
642 479 String Quartet No.15 F major 2vl va vc 32: String Quartets
643 480 String Quartet No.16 2vl va vc 32: String Quartets
644 481 String Quartet No.17 D major 2vl va vc 32: String Quartets
645 482 String Quartet No.18 E minor 2vl va vc 1836 32: String Quartets
483 32: String Quartets
484 32: String Quartets
485 33: String Quintets
486 33: String Quintets
487 Incomplete quintet C major 2vl 2va vc 33: String Quintets
488 Introduction D minor 2vl va vc db 33: String Quintets See A 448.
650 489 Quintet for strings and guitar C major 33: String Quintets Larghetto (C) — Andante (E) — Andante (D) — Larghetto (Eb) — Larghetto (A) — Andante (C)
490 Sextet fl 2hn 2vl va vc 34: Sextet Private collection, Bergamo, Italy.
491 Six nocturnes fl 2hn 2vl va vc 1821? 35: Septet Dedicated to G. Celati.
492 Six nocturnes 1821? 36: Nonets Dedicated to G. Celati.
493 Incomplete piece 36: Nonets I-Nc: MS parts for 2 fl, vla, cb.
623 494 Variations B ♭ major vl pf 37: Pianoforte with other instruments Dedicated to ‘il Nobile Sig.r Alessandro Zineroni’.
495 18 Variations D minor vl pf 37: Pianoforte with other instruments
621 496 Violin Sonata F major vl pf 1819-10-27 37: Pianoforte with other instruments Dedicated to «Madame Pezzoli Grattaroli». Edited by Bernhard Päuler.
497 Scherzo vl pf 1826 37: Pianoforte with other instruments 27 themes from Donizetti’s operas etc. Dedicated to Virginia Vasselli.
498 Amusement pathetique traite de l’Anna Bolena vl pf 37: Pianoforte with other instruments See A464 and A486.
613 499 Impromptu D minor vl pf 1837-12-25 37: Pianoforte with other instruments Larghetto — Andantino. Composed in Venice. Dedicated to Leon Herz.
500 Larghetto and Polonaise vl pf 37: Pianoforte with other instruments
501 Sonata D major vc pf 37: Pianoforte with other instruments
616 502 Largo G minor vc pf 37: Pianoforte with other instruments
620 503 Flute Sonata C major fl pf 1819-05-15 37: Pianoforte with other instruments Dedicated «Per uso della Sig.na Mar. Pezzoli Grattaroli». Edited and orchestrated by Raymond Meylan.
622 504 Oboe Sonata F major ob pf 37: Pianoforte with other instruments
627 505 Trio E ♭ major vl vc pf 1817-11-12 37: Pianoforte with other instruments Dedicated to «Sig.ri Milzetti e Boschetti (In casa Betti).»
626 506 Trio D minor vl vc pf 37: Pianoforte with other instruments «Composto per casa Baglioni». D major
625 507 Trio F major fl bn pf 37: Pianoforte with other instruments Edited by Bernhard Päuler as Trio.
614 508 Larghetto and Allegro G minor vl hp 38: Violin and harp Edited by Raymond Meylan as Sonata.
591 509 Sinfonia for winds in G minor G minor fl 2ob 2cl 2bn 2hn 1817-04-19 39: Music for wind
510 March F major picc, fl, cl, cl (Eb), 2 bn, 2hn, tr, trb, cassa 1840 39: Music for wind Dedicated to Francesco Donizetti.
511 39: Music for wind
512 39: Music for wind
513 39: Music for wind
514 40: Solo wind
515 40: Solo wind
516 40: Solo wind
517 pf 41: Piano music fo 2 hands
530 La Vénitienne pf 1843 41: Piano music for 2 hands Waltz. Composed in Milan
531 Pastorale E major pf 1813 41: Piano music for 2 hands
673 532 Presto F minor pf 41: Piano music for 2 hands
674 533 Rondò D major pf 1825-02 41: Piano music for 2 hands Dedicated «alla la Marchesina Sofia Marignano Milanesa».
534 Gran Sinfonia pf 41: Piano music for 2 hands Published by Bertuzzi (Milan).
535 Sinfonia ‘La partenza’ pf 41: Piano music for 2 hands Dedicated to «Madame Geltrude Betti». See A 441.
676 536 Sinfonia C major pf 1816-11-19 41: Piano music for 2 hands Composed in Bologna.
677 537 Sinfonia C major pf 41: Piano music for 2 hands Largo — Allegro. «Ad uso di Merope Novelli».
538 Sinfonia D major pf 41: Piano music for 2 hands Allegro vivo.
539 Sinfonia for Piano in D major D major pf 41: Piano music for 2 hands Sinfonia No.2.
680 540 Sinfonia for Piano in A major A major pf 1813-10-22 41: Piano music for 2 hands Sinfonia No.3.
672 541 Song without words A minor pf 41: Piano music for 2 hands Larghetto. Based on the melody of Unafurtiva lagrima. The title is by Allitt.
542 Waltz pf 41: Piano music for 2 hands «‘Donizetti, qui vous aime autant que votre mari, Madame, et qui vous le repetera dans un autre Royaume, vous comprenez? Ne donnez cette valse a qui que ce soit. Entendez-vous, Madame? Entendez-vous. «
543 Waltz pf 41: Piano music for 2 hands
544 Waltz D major pf 41: Piano music for 2 hands
545 Waltz A major pf 41: Piano music for 2 hands
546 Waltz F ♯ minor pf 41: Piano music for 2 hands
685 547 Variations G major pf 41: Piano music for 2 hands
686 548 Variations E major pf 41: Piano music for 2 hands
687 549 Variations on the Bard’s song pf 1820 (?) 41: Piano music for 2 hands «Variazioni sopra la canzonetta del bardo nell’Alfredo di Mayr.» The theme is Ov’e la bella vergine from Mayr’s Alfredo il grande, re degli Anglo Sassoni.
658 550 Incomplete piece B ♭ major pf 41: Piano music for 2 hands
551 3 Themes by Paer pf 41: Piano music for 2 hands Titled «Due [sic] motivi de celebre maestro Paer messi in suonata».
691 552 Allegro C major pf4h 1820-05-17 42: Piano music for 4 hands «Una delle piu matte (per ora) a 4ro mani per M. Marianna Pezzoli Grattaroli».
553 Allegro vivace C major pf4h 42: Piano music for 4 hands
554 Allegro D major pf4h 42: Piano music for 4 hands
694 555 Allegro for Piano Four-Hands in E major E major pf4h 1821-02-28 42: Piano music for 4 hands
695 556 Allegro moderato A major pf4h 42: Piano music for 4 hands
696 557 Il Capitan Battaglia E ♭ major pf4h 1819 42: Piano music for 4 hands Sonata. Adagio — Allegro.
697 558 Il genio G major pf4h 42: Piano music for 4 hands Allegro. «Il Genio di GDM pour M.G.P».
698 559 La lontananza E minor pf4h 42: Piano music for 4 hands «Pour Md. M.G.P.»
699 560 Larghetto G major pf4h 42: Piano music for 4 hands
700 561 L’. [deleted title] C major pf4h 1821-02-25 42: Piano music for 4 hands Dedicated to Marianna Pezzoli Grattaroli.
701 562 L’inaspettata E ♭ major pf4h 42: Piano music for 4 hands Allegro moderato. Dedicated to Marianna Pezzoli Grattaroli.
702 563 Marcia lugubre F minor pf4h 42: Piano music for 4 hands See also A 451.
703 564 Polacca E major pf4h 1819 42: Piano music for 4 hands Dedicated «a Mad. M.P.G. par le fou Donizetti».
565 Sinfonia for Piano Four-Hands in D minor D minor pf4h 1820-03-28 42: Piano music for 4 hands Sinfonia No.2. Allegro — Vivo. Composed in Almenno. Dedicated to Marianna Pezzoli Grattaroli.
566 Sonata for Piano Four-Hands in F major F major pf4h 42: Piano music for 4 hands Sonata No.3. Presto. Dedicated to Marianna Pezzoli Grattaroli, «Così finiscono tutte le cose de codesto mondo».
567 Sonata for Piano Four-Hands in C major C major
(D major)		 pf4h 1819-03-31 42: Piano music for 4 hands Sonata No.6. Allegro. Dedicated to Marianna Pezzoli Grattaroli.
568 Sonata for Piano Four-Hands in D major D major
(E major)		 pf4h 1819-10-12 42: Piano music for 4 hands Allegro. Dedicated to Marianna Pezzoli Grattaroli.
569 Sonata for Piano Four-Hands in D major D major
(E major)		 pf4h 42: Piano music for 4 hands Allegro — Largo — Allegro. Dedicated to Marianna Pezzoli Grattaroli.
570 Sonata for Piano Four-Hands in F minor ‘ La solita suonata’ F minor pf4h 42: Piano music for 4 hands With an F major introduction. Allegro — Presto.
709 571 Sonata for Piano Four-Hands in F major ‘Suonata a 4 sanfe’ F major pf4h 42: Piano music for 4 hands Sonata No.3. Larghetto — Allegro brillante. Dedicated to Marianna Pezzoli Grattaroli.
711 572 Sonata for Piano Four-Hands in A minor A minor pf4h 1820-04-25 42: Piano music for 4 hands Sonata No.4. Adagio — Allegro frettoloso.
712 573 Sonata B ♭ major pf4h 42: Piano music for 4 hands Presto. «Per Dolci e Donizetti».
713 574 Waltz for Piano Four-Hands pf4h 1844-11-29 42: Piano music for 4 hands
575 43: Organ
576 43: Organ
577 Mass — A cappella STB 1819-05-01 44: Eucharistic settings «Almenno 1 Maggio 1819». Private collection.
578 Kyrie C minor 1818-08-08 44: Eucharistic settings Messa di gloria e credo, A578-A585 (ca.1818)
579 Gloria in excelsis STB orch 44: Eucharistic settings Messa di gloria e credo, A578-A585 (ca.1818)
580 Laudamus et Gratias S orch 44: Eucharistic settings Messa di gloria e credo, A578-A585 (ca.1818)
581 Domine Deus D major B orch 44: Eucharistic settings Messa di gloria e credo, A578-A585 (ca.1818)
582 Qui tollis B ♭ major T orch 44: Eucharistic settings Messa di gloria e credo, A578-A585 (ca.1818). Cello part missing.
583 Qui sedes C major S vn orch 44: Eucharistic settings Messa di gloria e credo, A578-A585 (ca.1818)
584 Cum Sancto Spiritu STB orch 44: Eucharistic settings Messa di gloria e credo, A578-A585 (ca.1818). Dedicated: «Per Giuseppe. Sia Dio lodato che anche questo è fatto»
585 Credo STB orch 44: Eucharistic settings Messa di gloria e credo, A578-A585 (ca.1818). Belonged to Giuseppe Donizetti. With obbligato instruments.
586 Kyrie D minor SATB orch 1819 44: Eucharistic settings Messa di gloria e credo, A586-A593 (1819). Maybe with satb coro.
587 Gloria in excelsis D major STB orch 1819-07-16 44: Eucharistic settings Messa di gloria e credo, A586-A593 (1819)
588 Laudamus et Gratias G major S/T ob/cl orch 1819-07-03 44: Eucharistic settings Messa di gloria e credo, A586-A593 (1819)
589 Domine Deus B ♭ major B cl orch 44: Eucharistic settings Messa di gloria e credo, A586-A593 (1819)
590 Qui tollis E ♭ major 1819-07-08 44: Eucharistic settings Messa di gloria e credo, A586-A593 (1819)
591 Qui sedes et Quoniam S vn orch 44: Eucharistic settings Messa di gloria e credo, A586-A593 (1819)
592 44: Eucharistic settings Messa di gloria e credo, A586-A593 (1819)
593 44: Eucharistic settings Messa di gloria e credo, A586-A593 (1819)
594 Kyrie 44: Eucharistic settings Messa di gloria e credo, A594-A602
595 Gloria in excelsis 44: Eucharistic settings Messa di gloria e credo, A594-A602
596 Laudamus 44: Eucharistic settings Messa di gloria e credo, A594-A602
597 Gratias agimus 44: Eucharistic settings Messa di gloria e credo, A594-A602
598 Domine Deus 44: Eucharistic settings Messa di gloria e credo, A594-A602
214 599 Qui tollis E ♭ major T hn ch orch 1820-05-24 44: Eucharistic settings Messa di gloria e credo, A594-A602
600 Qui sedes et Quoniam C major T vn orch 1820-07-03 44: Eucharistic settings Messa di gloria e credo, A594-A602. Composed for Pietro Rovelli, who replaced Capuzzi after his death (1818) at Mayr’s school.
601 Cum Sancto Spiritu D minor SATB ch orch 44: Eucharistic settings Messa di gloria e credo, A594-A602
109 602 Credo C major STB ch orch 1820-10-18 44: Eucharistic settings Messa di gloria e credo, A594-A602. Composed for Almenno. Allitt notes the chorus S(?A)TB.
156 603 Kyrie D major SATB ch orch 1817-08-07 (p) 44: Eucharistic settings Mass for St. Cecilia’s Day, A603-A605 (for Mayr’s St. Cecilia festivals). «Composed for the festival of St. Cecilia 7 Aug 1817» (Allitt)
604 Gloria SATB ch? orch 1817-08-07 44: Eucharistic settings Mass for St. Cecilia’s Day, A603-A605 (for Mayr’s St. Cecilia festivals). DDR-Dsl: autograph score damaged in World War II. The SATB might be soloists or chorus.
605 Credo E major SATB ch orch 1824-11-24 (p) 44: Eucharistic settings Mass for St. Cecilia’s Day, A603-A605 (for Mayr’s St. Cecilia festivals). «Composed for the festival of St. Cecilia 24 Nov 1824» (Allitt)
606 Messa di Gloria e Credo C minor 1837 44: Eucharistic settings Performed in S. Maria Nova, Naples, 27 Nov 1837, for the feast of San Giacomo la Marca. Donizetti drew on previous religious compositions for this work.
607 Messa di Gloria 1838 44: Eucharistic settings No Credo. Composed in Naples.
608 44: Eucharistic settings
609 44: Eucharistic settings
610 45: Kyrie
611 45: Kyrie
612 45: Kyrie
613 45: Kyrie
614 Kyrie C minor STB 2ob 2hr org 45: Kyrie
615 Kyrie E ♭ major SATB ch orch 45: Kyrie
616 Kyrie TTB orch 45: Kyrie Unfinished
617 Gloria E major STB 2vn 2hn org 1814 46: Gloria
618 Gloria in excelsis C major STB orch 1818-05-28 46: Gloria Composed in Bergamo
619 Gloria in excelsis C major SATB orch 46: Gloria
620 Laudamus et Gratias F major ? cl ? 1819-07-03 46: Gloria Certain autograph and MS parts only (I-BGmd).
621 Qui tollis F major T cl orch 1814-09-07 46: Gloria
622 46: Gloria
623 46: Gloria
624 46: Gloria
625 47: Credo
626 47: Credo
627 47: Credo
628 47: Credo
644 51: Psalms
645 51: Psalms
178 646 Laudate pueri D major SATB ch orch 1819-10-08 51: Psalms Psalm 112
647 Laudate pueri C major STB orch 51: Psalms Psalm 112
648 Credidi D major STB org 51: Psalms Psalm 115. The org is continuo.
149 649 In convertendo C major B orch 51: Psalms Psalm 125
650 Nisi Dominus D major T orch 51: Psalms Psalm 126
651 51: Psalms
652 Magnificat E major STB ch orch 1819-05 52: Magnificat
653 53: Hymns
654 53: Hymns
655 53: Hymns
656 53: Hymns
657 53: Hymns
658 53: Hymns
659 Aures de coelo T vn orch 54: Motets
660 Anima mea T org orch 54: Motets
661 Motet B ♭ major T cl orch 1820-03-29 54: Motets
662 Pange lingua F major TTB 2cl 2hn tpt 55: Eucharistic devotions For Maudy Thursday, procession of the Blessed Sacrament.
663 Pange lingua F major 55: Eucharistic devotions Private collection, Bergamo.
664 Tantum ergo TTB orch 1816-11-08 55: Eucharistic devotions Performed in Church of San Giacomo, Bologna, on the feast of St Cecilia.
665 Tantum ergo E ♭ major T fl 2cl 2bn 2hn db 55: Eucharistic devotions
666 Tantum ergo D major S org 55: Eucharistic devotions Cattaneo (A1CIDS, Vol. 1, p.449) suggests that this work might be ‘apocryphal’.
667 Tantum ergo F major T orch 55: Eucharistic devotions
668 Tantum ergo and Adagio for benediction 1826 55: Eucharistic devotions
669 55: Eucharistic devotions
670 56: Offertories
671 56: Offertories
672 56: Offertories
673 56: Offertories
674 56: Offertories
675 Parafrasi del Christus SA str 1829/1844 57: Devotions to Our Lord Composed 1829, revised 1844. Text by Serafino Gatti.
676 Prayer B ch orch 57: Devotions to Our Lord
677 Meditation on the last words of the Saviour STB vc? or org 1817-09-15 57: Devotions to Our Lord
678 Salve Regina F major T orch 1819-08-05 58: Devotions to Our Lady
679 Salve Regina F major STB 2ob 2cl tpt vc db 58: Devotions to Our Lady
224 680 Salve Regina G major S orch 58: Devotions to Our Lady Cattaneo (A1CIDS, Vol. 1, p.449) suggests that this work might be ‘apocryphal’.
681 Ave Maria F major SA pf 58: Devotions to Our Lady Dedicated: «Donizetti all’amico che non fa le scale per vedermi».
682 Ave Maria
(L’angelo e la chiesa)		 S ch str 58: Devotions to Our Lady The chorus is SATB.
683 Ave Maria TT pf/org 58: Devotions to Our Lady
684 Ave Maria SA str 1844-01 58: Devotions to Our Lady Text from Dante’s so-called «Creed».
685 L’assunzione di Maria Vergine ossia Gli apostoli al sepolcro della medesima TTB ch (sstb) 2cl bn 2hn str 1822 58: Devotions to Our Lady Devotional cantata with words by G.B. Rusi. Composed in Rome.
686 Requiem mass in memory of Niccolò Zingarelli 1837 59: Requiem mass Zingarelli died on 5 May 1837. Lost or misplaced.
687 Requiem mass in memory of abate Fazzini 1837-11-07 (p) 59: Requiem mass Performed in S. Ferdinando, Naples, 7 November 1837. Lost or misplaced.
688 Requiem in memory of Vincenzo Bellini D minor SATBB ch orch 1835 59: Requiem mass
689 Requiem aeternam TTB orch 60: Requiem aeternam For the funeral of Alfonso della Valle di Casanova. Same as A690.
690 Luge qui legis F major 1842 60: Requiem aeternam Funeral march, composed for the funeral of the sculptor, Pompeo Marchesi. Same as A689.
691 Dies irae C minor SATB orch 61: Dies irae (Versicle) Two last pages missing.
692 Tuba mirum E ♭ major B orch 1821-01-05 62: Tuba mirum
693 Miserere mei Deus D minor ch orch 1820-04-04 63: Miserere (Psalm 50) Miserere in D minor, A693-A699 (1820); this reconstruction was edited and published by István Máriássi
236 694 Tibi soli F major S cl orch 1820-04-06 63: Miserere (Psalm 50) Miserere in D minor, A693-A699 (1820); this reconstruction was edited and published by István Máriássi
0 96 695 Asperges me B ♭ major SATB orch 1820-04-08 63: Miserere (Psalm 50) Miserere in D minor, A693-A699 (1820); this reconstruction was edited and published by István Máriássi
696 Auditui meo 63: Miserere (Psalm 50) Miserere in D minor, A693-A699 (1820); this reconstruction was edited and published by István Máriássi. Lost or misplaced.
697 Ne proicias me E major B hn orch 1820-11-29 63: Miserere (Psalm 50) Miserere in D minor, A693-A699 (1820); this reconstruction was edited and published by István Máriássi
180 698 Libera me de sanguinibus A minor S vn orch 1820-11-30 63: Miserere (Psalm 50) Miserere in D minor, A693-A699 (1820); this reconstruction was edited and published by István Máriássi. Composed for the church of San Salvatore, Almenno.
238 699 Tunc acceptabis D major SATB orch 1820-04-06 63: Miserere (Psalm 50) Miserere in D minor, A693-A699 (1820); this reconstruction was edited and published by István Máriássi
700 Miserere D minor ATTB 1820-01 63: Miserere (Psalm 50) Composed in Venice.
701 Miserere D minor 1820-01-18 63: Miserere (Psalm 50) Composed in Rome. On the score Donizetti wrote: «Compositore stava a Roma in gran pensieri per la Zoraide : ol Franguel Orb geneva a Bergamo : Ottello ordinava la Musica, la Teresa rideva evviva Noi. Miserere».
702 Miserere D minor 1837 63: Miserere (Psalm 50) Composed in Naples.
703 Miserere G minor SSATTBB ch orch 1843 63: Miserere (Psalm 50) Composed on the Good Friday 1843, Vienna.
704 Docebo E major B org orch 63: Miserere (Psalm 50)
705 Sacrificium D minor ATTB 1820 63: Miserere (Psalm 50)
706 Sacrificium T 63: Miserere (Psalm 50) This vocal part goes with the orchestration of A591 and is fundamentally the same melody.
707 Preces meae B ♭ major T ch bsthn orch 64: Music for Marchese Terzi’s funeral
708 Oro supplex E major B hn orch 64: Music for Marchese Terzi’s funeral
709 Canto accompagnatorio B ♭ major SSTB orch 1819 64: Music for Marchese Terzi’s funeral
710 Et vitam venturi C major SATB 1838 65: Religious music — Miscellaneous
711 In gloria Dei Patris C minor SATB 1816-09-17 65: Religious music — Miscellaneous Composed 17 Sep 1816, Bologna.
712/1 Fugue for 4 Voices A major 1817-03-14 66: Fugues
712/2 Fugue for 4 Voices A minor 1817-05-27 66: Fugues
712/3 Fugue for 4 Voices C major 66: Fugues
731 713 Fugue for 5 Voices C major 1817-08-24 66: Fugues
714 Fugue for 5 Voices C major 1817-09-01 66: Fugues
715 Fugue for 6 Voices F major 1817-09-09 66: Fugues Composed in Bologna
716 Fugue for 4 Voices C major 1817-10-06 66: Fugues Composed in Bologna
729 717 Fugue for 4 Voices A major 1817-10-18 66: Fugues Composed in Bologna
725 718 Fugue for 4 Voices C major 1817 66: Fugues
732 719 Fugue for 5 Voices F ♯ minor 1817 66: Fugues Composed in Bologna
720 Fugue for 4 Voices G major 66: Fugues
721 Fugue for 5 Voices 66: Fugues
722 Fugue 66: Fugues
723 67: Fragments
724 68: Miscellaneous
725 68: Miscellaneous
726 68: Miscellaneous
727 68: Miscellaneous
728 68: Miscellaneous
729 68: Miscellaneous

Works with unknown Allitt numbers

Orchestral (A435-A458) and Concertos (A459-A464)

  • Sinfonia in C major, 12 June 1816, I-Bc — Grove — A 436?
  • Sinfonia concertata in D major, 17 Sept 1816, ed. G. Piccioli (Milan, 1937) — Grove — In.588 — A 438?
  • Sinfonia in C minor (C major), 24 Nov 1816 — A 437?
  • Adagio and Minuet from a symphony (F-Pc) — Grove
  • Gran marcia militare imperiale, for the Sultan of Turkey, arr. pf (Paris, n.d.), arr. sym. band by D. Townsend (n.p., 1967) — In.664
  • Rataplan — A 452?
  • Clarinet Concertino — constructed from separate pieces by Raymond Meylan
  • Concerto, for unspecified instrument (Pc) — Grove

Chamber (A465-A516)

  • String Quartet in C major, incomplete, ca.1819-21 (Grove: F-Pc) — A 483?
  • String Quartet in A minor, incomplete, ca.1819-21 — A 484?
  • String Quintet — if this is a chamber piece at all; same as Grove’s String Quintet in C (1 movt I-BGmd) ? — A 485?
  • String Quintet (2-2-1-1): Introduzione and Largo affettuoso (Grove) — A 486?
  • Viola Concerto
  • Untitled work in B ♭ major, wind insts, org (I-BGi) — Grove
  • Clarinet Study No.1, In.716 (Studio primo) in B ♭ major, 1821. Dedicated to «l’amico Begnigni». Edited by R. Meylan (Frankfurt, 1970)
  • Duetto in B ♭ major for 2 clarinets, ed. B. Päuler (Zürich, 1971)
  • Solo in F minor for oboe and piano (harp?) — In.714 — «presumably part of a lost sonata with more movements . the manuscript consists of only two staves (the first for the oboe and the second for the accompaniment)» (2004 edition)

Piano (A517-A574), Organ (A575-A576)

All for piano 2-hands, unless otherwise stated.

Источник

Читайте также:  Духи с нотами лемонграсса
Оцените статью
© 2023 Все о музыке. Песни с аккордами и нотами.