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Ted Koehler Stormy Weather

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stormy weather

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Ноты, партитуры, клавиры:
Ted Koehler Stormy Weather

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Stormy Weather Sheet Music Harold Arlen and Ted Koehler

Stormy Weather SHEET MUSIC Harold Arlen and Ted Koehler

Harold Arlen and Ted Koehler – Stormy Weather – Sheet Music Free PDF Download

“ Stormy Weather ” is a 2017 song by Harold Arlen and Ted Koehler , for Piano / Vocal/ Guitar Chords, Video and Lyrics song Sheet Music

Enjoy the song “Stormy Weather” arranged by Best Piano Tutorials! Note: To read the PDF format your computer must have a PDF reader software. You can search online for your favorite PDF reader software .

Stormy Weather’” is a 1933 song written by Harold Arlen and Ted Koehler. Etta James, on her 1960 album for Chess Records, ‘At Last!’

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Ноты stormy weather ted koehler для обеих рук

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Although backed by Duke Ellington’s Orchestra in the show, Waters recorded the tune with the Dorsey Brothers’ Orchestra (Tommy on trombone and Jimmy on alto sax and clarinet) in May, 1933, after Reisman’s recording had been released. At the time, Ellington was under contract to Brunswick Records, and Waters and the Dorseys were under contract to Columbia. However, Ellington’s Orchestra and vocalist Ivie Anderson grabbed the honors for being the first to perform the number on film, a short feature from 1933 entitled Bundle of Blues .

Harold Arlen and Ted Koehler had collaborated on a number of songs prior to “Stormy Weather,” including a previous Cotton Club show. Supposedly the two were together at a party when the tune began to take form. Another half-an-hour of work and it was finished. The two continued to collaborate on Cotton Club revues and eventually went to Hollywood to write for films.

Spotted by composer Irving Berlin during a performance of the Cotton Club Parade, Ethel Waters went on to star in Berlin’s As Thousands Cheer , performing “Heat Wave” and “Suppertime.” The appearance rejuvenated her career.

Vocalist Lena Horne starred in the 1943 motion picture Stormy Weather and performed the title tune. The movie was a splendid showcase for African-American talent, including Bill “Bojangles” Robinson, Thomas “Fats” Waller, the Nicholas Brothers, and Cab Calloway.

Koehler’s masterful lyrics tell the tale of the breakup of a romance and the sadness such an event brings. An interesting twist to the song occurs before the bridge, where there are two extra bars. George Gershwin pointed this out to Arlen, who stated he was unaware of it, but the repeated line “so weary all the time” adds an extra impetus to the line, and it’s hard to imagine that Arlen and Koehler weren’t aware of the extra bars.

Home Overview Songs Biographies History Theory Search Bookstore Articles About

Stormy Weather (Keeps Rainin’ All the Time) ( 1933 )


Charles Mingus

Herman Chittison

Ella Fitzgerald

Billie Holiday

Ethel Waters

Ethel Waters

Lena Horne

Art Tatum

”’Stormy Weather’ was originally written. for vocalist and bandleader Cab Calloway. ”

“Stormy Weather” was originally written by Harold Arlen and Ted Koehler for vocalist and bandleader Cab Calloway, who, along with his fine big band, had been a fixture at New York’s Cotton Club. Calloway took over the prestigious slot from Duke Ellington in February, 1931. Before the 1933 Cotton Club Parade show went into production, Calloway left the club and Ellington returned. This left the show’s producers in tight spot since Ellington didn’t sing and they needed a “name” to feature the tune. In a fortuitous turn of events, vocalist Ethel Waters returned to New York from Chicago. The show’s producers and the tune’s composers met with Miss Waters, and she agreed perform the song in the show, her only appearance as part of the revue.

Waters took to the tune immediately. She had just been through the breakup of her marriage, and the song almost seemed to have been written with her feelings in mind. In Edward Jablonski’s biography Harold Arlen: Rhythm, Rainbows & Blues , Waters is quoted: “When I got out there in the middle of the Cotton Club floor, I was telling things I couldn’t frame in words. I was singing the story of my misery and confusion, of the misunderstandings in my life I couldn’t straighten out, the story of wrongs and outrages done to me by people I had loved and trusted.” Waters’ initial performance in the show drew twelve encores.

Even before the show’s opening night (April 6, 1933), composer Arlen contacted old friend and bandleader Leo Reisman in hopes of recording the tune. Reisman sensed the tune’s potential and let Arlen perform the number on a Victor record date. Recorded in late February, 1933, this introductory performance of “Stormy Weather” was quickly released and grabbed the public’s attention. The song quickly took off in the charts:

  • Leo Reisman Orchestra (1933, Harold Arlen, vocal, #1)
  • Dorsey Brothers’ Orchestra (1933, Ethel Waters, vocal, #1)
  • Guy Lombardo and His Royal Canadians (1933, #2)
  • Duke Ellington and His Orchestra (1933, Ivie Anderson, vocal #4)
  • Ted Lewis and His Orchestra (1933, Shirley Jay, vocal, #6)
  • Lena Horne (1943, vocal, #21)

Chart information used by permission from
Joel Whitburn’s Pop Memories 1890-1954
More information on this tune.
Will Friedwald
Stardust Melodies
Pantheon; 1st edition
Hardcover: 416 pages

(“Stormy Weather” is one of a dozen standards which Friedwald thoroughly investigates in his book. He discusses the songwriters and the history of the song in 31 pages, analyzes the music and lyric, and offers information on performers and recordings.)

See the Reading and Research page for this tune for additional references.
This section suggests definitive or otherwise significant recordings that will help jazz students get acquainted with “Stormy Weather (Keeps Rainin’ All the Time).” These recordings have been selected from the Jazz History and CD Recommendations sections.

Vocalist Ethel Waters recorded “Stormy Weather” with Tommy Dorsey’s band in 1933 (The Incomparable Ethel Waters ) and a strong case could be made that she made it her own. That is, at least until 1941 when Lena Horne sang what is quite possibly the definitive version of the tune (Lena Horne — RCA Victor: Greatest Hits ), a tune that would become one of her signature pieces for the remainder of her career. Meanwhile, pianist Red Garland’s tender trio version of “Stormy Weather” (All Kinds of Weather ) is a good representation of the typical modern approach to playing the tune as an instrumental ballad.

Musical analysis of “Stormy Weather (Keeps Rainin’ All the Time)”

Original Key G major
Form A — A — B — A
Tonality Major throughout
Movement Primarily arpeggiated with some chromaticism; upward skips and downward leaps. Nice, balanced melodic “arc.” Some repeated notes in “B.”
A soaring, lyrical melody with fairly standard changes; the “A” section’s harmonic progression is I — viiВ°/ii — ii — V7 with slight variations, while “B” spends most of its time alternating between IV and I, with a final VI7 — II7 — V7 turnaround just before the last “A.” Since this melody consists mainly of diatonic chord pitches, there are plenty of opportunities for the adventurous jazzer to experiment with chord extensions and harmonic substitutions.
K. J. McElrath — Musicologist for JazzStandards.com

Of the many recordings of this tune from 1933, one of the most extraordinary is that by a New Orleans group led by pianist Joe Robichaux. A hot, swingy, seven-piece combo, they had the distinction of recording 22 sides in four days for Vocalion Records while visiting New York. Their version of “Stormy Weather” is instrumental with some nice double-time work by trumpeter Eugene Ware.

Duke Ellington also recorded a distinctive instrumental in 1933, but the band’s version from 1940 features a superlative vocal by Ivie Anderson and a sultry tenor sax solo by Ben Webster.

Pianist Herman Chittison had a successful career on both sides of the Atlantic until World War II broke out. His amazing playing was at times reminiscent of Art Tatum, and his 1934 recording of “Stormy Weather” is a treat.

Duke Ellington
Duke Ellington 1933
Classics 637
Duke Ellington/Ivie Anderson
I Got It Good and That Ain’t Bad
Jasmine Music 2560
Herman Chittison
Harlem Piano in Montmartre
Sunny Side 18447
Additional information for «Stormy Weather (Keeps Rainin’ All the Time)» may be found in:
Philip Furia
The Poets of Tin Pan Alley: A History of America’s Great Lyricists
Oxford University Press; Reprint edition
Paperback: 336 pages

(2 pages including the following types of information: history and lyric analysis.)

David Ewen
Great Men of American Popular Song
Prentice-Hall; Rev. and enl. ed edition
Unknown Binding: 404 pages

(1 paragraph including the following types of information: anecdotal and performers.)

David Ewen
American Songwriters: An H.W. Wilson Biographical Dictionary
H. W. Wilson
Hardcover: 489 pages

(1 paragraph including the following types of information: anecdotal, history and performers.)

Max Morath
The NPR Curious Listener’s Guide to Popular Standards
Perigee Books
Paperback: 235 pages

(1 paragraph including the following types of information: history and performers.)

Thomas S. Hischak
The Tin Pan Alley Song Encyclopedia
Greenwood Press
Hardcover: 552 pages

(1 paragraph including the following types of information: film productions, history, music analysis and performers.)

Will Friedwald
Stardust Melodies
Pantheon; 1st edition
Hardcover: 416 pages

(31 pages including the following types of information: history, lyric analysis, music analysis, performers, recordings and song writer discussion.)

  • Your comments are welcome, including why you like this tune, any musical challenges it presents, or additional background information.
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Recommendations for This Tune
Click on any CD for more details at Amazon.com
Ethel Waters
The Incomparable Ethel Waters
Sony
Original recording 1933

Vocalist Waters offers one of the first performances of “Stormy Weather” and perhaps the best of its early performances. Her confident vocals are set atop the music of Tommy Dorsey’s large ensemble.

Lena Horne
Lena Horne — RCA Victor: Greatest Hits
RCA

Lena Horne is the vocalist most closely associated with “Stormy Weather,” and this is the first of her many versions of the tune. Her singing is masterful here, soulful yet tastefully restrained.

Eric Dolphy is heard here on alto saxophone in the context of bassist Charles Mingus’ important piano-less quartet, also featuring the trumpet of Ted Curson and the drums of Dannie Richmond. This intensely passionate performance is one of Dolphy’s definitive statements on a standard, as he manages to be faithful to the song while stretching it in new directions.

Eric Dolphy
Candid Dolphy
Candid Records
Original recording 1960

This harmonically rich and gently swinging solo piano interpretation of “Stormy Weather” is one of Tatum’s more subdued performances.

Art Tatum
Art Tatum’s Finest Hour
Polygram Records
Original Recording 1940

Guitarist Reinhardt is heard here in one of his later collaborations with violinist Stephane Grappelli. This lovely performance features some of Reinhardt’s most sensitive and melodic playing.

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Django Reinhardt
Django in Rome 1949-1950
Jsp Records
Original Recording 1949