Chris Rea — On The Beach Chords
Intro
Fm7 C♯7M Fm7 C♯7M C7 -10
Fm7 Gdim C7 -10 Fm7 Gdim C7 -10
. The third verse has a little variation!
Fm7 Gdim C7 -10 Fm7 Gdim C7 -10
Between the eyes of love I call your name
Fm7 Gdim C7 -10 Fm7 Gdim C7 -10
Behind their guarded walls I used to go
Upon a summer wind
Theres a certain melody
Takes me A♯m7 back to the Cm7 place that I C♯7M know D♯
Down on the beach
The secrets of the summer I will keep
The sands of time will blow a mystery
No-one but you and I
Underneath that moonlit sky
Take me back to the place that I know
Down on the beach
Forever in my dreams I will be
Fm7 D♯m7 G♯7 C♯7M Gdim C7 -10
Hanging on to this sweet memory
Fm7 A day of strange de A♯ sir C e
And a Fm7 night that burned like f A♯ ire C
Take me b A♯m7 ack to the p Cm7 lace that I k C♯7M now D♯
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On The Beach Chords — Chris Rea
About the artist behind On The Beach Chords:
Rea had not played the local music scene around Middlesbrough much, and had no real history of playing with any local bands. However, under the guidance of local club owner, and promoter John B. McCoy he managed to gain a record deal with Magnet Records Whatever Happened to Benny Santini? was Rea’s debut album, released in 1978 (see 1978 in music). The first single lifted from the album, «Fool (if You Think It’s Over)», is his biggest hit in the United States, peaking at number twelve on the Billboard Hot 100 and reaching number one on the Adult Contemporary Singles chart. «Fool (if You Think It’s Over)» was nominated for a «Song of the Year» Grammy, losing out to Billy Joel’s «Just the Way You Are». Unlike most of Rea’s other singles, «Fool. » was not a great success on the UK Singles Chart, failing to chart on its first release and only reaching number thirty when re-released in late 1978 to capitalise on its U.S. success. A cover of «Fool. » by Kenny Craddock was used as the theme for BBC sitcom Joking Apart.
The title of the album is a reference to a name Rea’s UK record label (Magnet) had considered christening him with to make him sound more attractive commercially.
Whatever Happened to Benny Santini? was produced by Gus Dudgeon. Rea was reportedly dissatisfied with the final mix of the album; he later went some way to supposedly rectify this to his satisfaction, starting with 1988’s greatest hits compilation New Light Through Old Windows, which featured a re-recorded version of «Fool. «. Dudgeon went on to produce Rea’s next effort, Deltics. It is rumoured within the music-industry however[citation needed], that this ‘dissatisfaction’ was merely a way of dispensing with royalty, or contractual, payments on the original recordings that would have been due under an agreement with his first Manager John McCoy, whom Rea had subsequently dispensed with.
Rea began to focus his attention on continental Europe, releasing eight albums in the 1980s. It wasn’t until 1985’s Shamrock Diaries and the songs «Stainsby Girls» and «Josephine» that UK audiences began to take notice of him (on 5 July 1986 Rea played in front of 95,000 people at Slane Castle, Ireland, as a supporting act of band Queen on their «Magic Tour»). Follow-up albums On The Beach and Dancing With Strangers became big UK hits before the New Light Through Old Windows compilation album in 1988 brought Rea success.
His next full album was to be his major breakthrough. The Road to Hell (1989) enjoyed massive success and became his first number one album in the UK. This success could not be mirrored in the U.S., however, where it only reached #107. The follow-up album, Auberge, also enjoyed massive European success, reaching the top spot in the UK.
After Auberge, Rea released God’s Great Banana Skin, which managed to reach Number 4 in the UK. The album returned Rea to the rockier sound of Road to Hell, and the single «Nothing to Fear» gave him another Top 20 hit. A year later «Espresso Logic» hit the Top 10 and «Julia», written about his second daughter, gave him his 11th Top 40. A period of ill health meant his next album did not appear until 1998.
Despite no singles being released and little promotion, The Blue Cafe still made the UK Top 10, though it proved to be Rea’s last. In 1999, 10 years after Road to Hell, Rea released The Road to Hell Part 2. Many felt Rea had begun to lose his way; the album received no promotion and never made the Top 40. However, it didn’t get Rea down — in 2000, he released King of the Beach, receiving critical praise and a healthy Top 30 placing.
In 2000 a remix of Rea’s 1986 «On the Beach» single by York was released and enjoyed moderate success on the dance floor.
Following a severe bout of pancreatitis, and a predicted 50% chance of survival after an operation called a Whipple procedure, Rea promised himself that if he recovered, he would be returning to his blues roots. In an interview with the Britsound Radio Show, Rea revealed that «it’s not until you become seriously ill and you nearly die and you’re at home for 6 months, that you suddenly stop to realize that this isn’t the way I intended it to be in the beginning. Everything that you’ve done falls away and start wondering why you went through all that rock business stuff.» So, in 2002, Rea returned to his blues roots, releasing the album Dancing Down The Stony Road following recording sessions in France and the UK. (An abridged version of the album was later released with the title Stony Road.) The album was followed by a DVD of the same name, comprising a «Making Of» documentary and footage from a concert in Cologne. Rea set up his own JazzeeBlue label in 2003 to free himself from the pressure of record companies and their expectations. Since then he has released the blues albums Blue Street (Five Guitars) (an instrumental jazz-blues album) and then The Blue Jukebox (another jazz-blues influenced album released to critical acclaim). He has worked with David Knopfler for two albums, Wishbones (2001) and Ship of Dreams (2004).
Chris Rea released his final box-set album, «Blue Guitars» in 2005. Consisting of 11 CDs and 1 DVD (Dancing Down The Stony Road), the album is Rea’s testament to blues. Each album contains self-compositions, played and performed in a specific genre of the blues. The box-set includes a book containing reproductions of colourful paintings by Rea. In an interview with the Britsound Radio Show, Rea declared that this box-set album is a result of his love for the blues; «it’s just my first love. You know if you take music as romance, then blues was my first love you know, it’s my wife. And it’s with me all the time, and I just adore it.» This album closes the final chapter of Chris Rea’s solo career as he does not intend to make any further solo records. He has stated that he would continue to make records with some of his favourite players under the name «The Memphis Fireflies». An excellent Double DVD Set and a Separate Double CD Set was released in 2006 including live selections from Rea’s farewell tour titled «The Road To Hell & Back».
In November 2007, Rea announced a new tour and a new album featuring 38 new tracks on three CDs and two vinyls which included a hardback book in the style of a slightly tatty 12″ vinyl sleeve. «The Return Of The Fabulous Hofner Blue Notes» (a dedication to the iconic 60’s guitar of the same name) was released in December 2007. In writing the album, Chris dreamed up a band that had never existed – a pastiche instrumental group from the late ’50s called The Delmonts.
The release of the album was followed by a European tour. The band was introduced as «The Delmonts featuring Chris Rea», and played in various venues across the UK, including the Royal Albert Hall in London. The concerts consisted of a mixture of blues-orientated instrumentals and new songs as well as several Chris Rea classics.
The consequences of a serious illness had forced the always reserved and modest performer to adopt a different lifestyle; one that could not be made to fit in with the usual touring business. Together with Robert Ahwai (guitar), Neil Drinkwater (keyboards), Colin Hodgkinson (bass) and Martin Ditcham (Drums), Chris Rea lends his songs a bluesy trace of the Sixties, which is also to a certain extent a tribute to his idol BB King. In talking about the new band and album, Chris explained “That is the music that I have always wanted to play: real, genuine guitar music”.
His song «Driving Home for Christmas», which originally reached number 53 in the UK charts when first released in 1988, re-entered at number 33 nineteen years later in December 2007, making it the first time the song had made the UK Top 40.
Rea is the son of Camillo Rea, an immigrant from Italy and Winifred, of Irish descent (died Sept 1983). He has two brothers, Nick and Mike, and four sisters, Catherine, Geraldine, Paula and Camille. He is married to wife Joan, with whom he has two daughters (Josephine, born September 16th 1983, and Julia Christina, born March 18th 1989). He used to live at Sol Mill in Cookham, Berkshire. This property also contained the Sol Mill Recording Studios where he produced some of his later albums. He also produced albums for other artists such as Sylvin Marc, and Robert Ahwai on his Jazeeblue label. The property was sold in 2006.
The name «Rea» (pronounced «Ree-ah») was well-known locally thanks to the chain of «Rea’s Ice-cream» shops owned by Camillo Rea. In later years the chain folded except for one shop operated by Camillo himself. He played his son’s music constantly inside the shop. He holds a season ticket with Middlesbrough football club to be near his birthplace in Linthorpe, Middlesbrough.
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