St james infirmary ноты для гитары

Hugh Laurie — St James Infirmary (из т/с «Доктор Хаус / Dr. House»)

Полное имя: Джеймс Хью Кэлам Лори
Дата рождения: 11 июня 1959
Место рождения: Оксфорд, графство Оксфордшир, Англия
Гражданство: Великобритания
Рост: 189 см
Семейное положение: женат с июня 1989 года на бывшей театральной администраторше Джо Грин, имеет троих детей: Чарльз (1988), Уилльям (1990) и Ребекка (1992).
Профессия: Актёр, писатель, певец
Карьера: 1982 — наст. время
Награды: «Золотой глобус» (2006), «Эмми» (2007), People’s Choice Awards (2009), Goldene Kamera (2009)

Хью Лори родился в Оксфорде, Великобритания в семье врача и домохозяйки. Учился в престижных частных школах: оксфордсокой начальной школе Dragon School и Итоне. В 1981 году окончил Кембриджский университет (колледж им. Дж. Селвина) со степенью бакалавра третьего класса по антропологии и археологии. В университете стал участвовать в деятельности любительского театра «Footlights Dramatic Club», где его постоянными коллегами стали такие же студенты-актёры Эмма Томпсон и Стивен Фрай. С последним Лори будет связан совместной работой на сцене и на телевидении многие годы. После университета Лори, Фрай и Томпсон написали и поставили комедию «The Cellar Tapes», которая принесла им первую театральную награду и контракт на телетрансляцию спектаклей из театра «Вест-энд» в 1982 году.

Общенациональный успех к Лори пришёл с выходом на телеэкраны комедийного сериала «Чёрная Гадюка» (1985—99), в котором он исполнял роли разных персонажей (в сериале также играли Стивен Фрай и Роуэн Аткинсон). Вместе с Фраем Лори также участвовал в телевизионной комедии «Шоу Фрая и Лори» (1989—1995).

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Источник

St james infirmary ноты для гитары

E m H E m
Folks, I’m goin’ down to St. James Infirmary,
C H 7
See my baby there;
E m H E m C
She’s stretched out on a long, white table,
E m H E m
She’s so sweet, so cold, so fair.

Let her go, let her go, God bless her,
Wherever she may be,
She will search this whole wide world over,
But she’ll never find another sweet man like me.

Now, when I die, bury me in my straight-leg britches,
Put on a box-back coat and a stetson hat,
Put a twenty-dollar gold piece on my watch chain,
So you can let all the boys know I died standing pat.

An’ give me six crap shooting pall bearers,
Let a chorus girl sing me a song.
Put a red hot jazz band at the top of my head
So we can raise Hallelujah as we go along.

Folks, now that you have heard my story,
Say, boy, hand me another shot of that booze;
If anyone should ask you,
Tell ’em I’ve got those St. James Infirmary blues.

Источник

“St. James Infirmary” Solo Guitar Composition – EP261

Description

In this week’s guitar lesson, you’ll learn how to play a solo composition of the classic “St. James Infirmary”. You’ll be able to play this on your own (with a pick). No accompaniment required! In addition to showing you how to play everything, I’ll explain where the notes come from and my thought process for creating a composition like this so that you can start to do this for your favorite songs.

Part 1 — Free Guitar Lesson

Part 2 — For Premium Members

Slow Walk-Through

Video Tablature Breakdown

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Comments

drlknstein says

winner. haunting new orleans pirates alley sound.

Michael R says

agreed, love this one!

Bobs Ultra-339 Electric Guitar Level 2 Vintage Sun says

Just what I need to break in on my new old peavy patriot . Great old classic song.

Mehmet Erol G says

A very positive suprise & welcomed change…!
Thank you Brian for the fine arrangement.
Regards.

JohnStrat says

Aha now this is a great tune and a departure from the regular. A few of these ‘so well known songs’ sprinkled in every so often will attract a wide blues audience and will go down as a real bonus for members. Cant help but think this will be a winning strategy for all. Great Job.
Perhaps we could have a contest for vocals!!

Count me out or you’d die laughing!!
All the best
JohnStrat

Rob M says

I could not agree more with both Mehmet Erol G and JohnStrat!! A very nice departure from the norm and something to look forward to. If you follow through with frequent arrangements of well-known tunes, I’ll probably stay past my initial yearly subscription. Anyway, nice change and very well done!!

strattastic says

Fan bloody tastic Brian
Amazing Grace is on the back burner. I have a new project for the summer months.
Love it

JoLa says

Aaah, brilliant, love it! I love stand-alone (classic) blues compositions arranged, explained, and taught by Brian! It’s made my day and it’s going to the top of my to-do-list now. And oh, yes – it’s nice to see the good old Alvarez dusted off, too 🙂
Thank you, Brian, for another shiny gem!

Pat P says

Very nice. Thanks Brian. Can’t wait to learn it. But, hey you didn’t mention Arlo’s version – my fave. He plays it in Am as well but capo’s on the 2nd fret, taking it to Bm.

I’m sure your instruction will help me try to figure out his break as well.
Thanks for all your efforts and fine instruction.

P.S. Arlo is returning for a second time to our MusicFest in Courtenay here on Vancouver Island (British Columbia, Canada) next month. Perhaps a request . . .

Michael Allen says

Thanks Brian. I’ve always wanted to learn this one

dave t says

for the aussies…sound familiar?? mossy and chisel

Rod C says

spot on, thought of chisel when I was playing it and didn’t know why, now I do, cheers

Ian M says

Great choice! Feel free to play any other pre-1923 public domain song that catches your ear! 😉

Michael vdh says

Brian … yeah baby .. this is fantasic .

madams says

I think Brian is taking a well-deserved summer vacation. These past two videos seem older. Still great though.

Andy N says

..and the background has faded to black over the last few weeks 🙂

Richard G says

Thanks Brian, this one is superb, I can’t wait to get my teeth into this lesson. I hope this might be a bit of a breakthrough, that is, teaching a traditional blues tune which is outside of copyright. More please Brian …….

timetunnel says

Magic Brian pure class a few more oldies like this lesson would be great cheers mate

Bosc T says

Merci beaucoup Brian pour ce classique revisité avec classe, fantastique…

Raymond P says

Great lesson Brian. Fun to listen to and fun to play.

Allan says

Love it Brian Love it more of the same please

Randy G says

Love it any classic like this would be a great help. love the alvaris I had to buy one just like yours. starting to make progress after a year-and-half playing. thank you

guinn e says

great stuff brian
this is one of my favourite songs of all time
great arrangement

Dave M says

I love your arrangements of traditional songs! Just what I need!

Andy N says

Brilliant lesson Brian! Soon as I heard the sample this was a ‘must do now’!
Great tune to pick and excellent instruction as always.
Really like hearing your thoughts on how to arrange songs for the guitar. Definitely something I want to aspire to.

Don D. says

This is beautiful! Thanks, Brian!

David P says

How do you “loop” a section?

Jakob S says

Another nice version is by Allen Toussaint.

Alan M says

Hi, Can anyone out there tell me what the X’s mean in the tablature and how to or not to play them. I can’t find any explanation of the x’s in the lesson on tablature.

JohnStrat says

Yes they are percussive or muted strums. so play them but mute the strings with your frstboard hand so that they do not ring out any notes.

Alan M says

thanks, are you supposed to fret the strings while you play them muted?

JohnStrat says

Yes broadly speaking its an approximate thing but damp or omit from the strum any open strings.

sunburst says

cool stuff, enjoyed listening to your description introduction too..ty much Brian!

rev s says

I love the lesson.&nbsp. its a common comment here….whats it mean .

JohnStrat says

Rev I think it may be a broswer setting as I dont get any showing on my android. it could be html showing through. beyond that i cant help.

clay says

Nice-but I am only seeing a slow version mp3……..where is the normal tempo one?

JoLa says

I agree, the normal tempo mp3 is missing. Any chance to have that uploaded, Brian?

Phillip S says

Just joined the site and this tune is awesome. Just what I needed to start picking up lead ideas.

Robin S says

More of similar please. This is a great supplement to EP146 (“Play something on the guitar then”)

Gene A says

One more reason why I love your instruction. This is such an enjoyable lesson.

tommc says

Do you work in a music store? Seems like you have some nice. new guitars often. What is this one?
Enjoyed this lesson and style.

JohnStrat says

Hi Tom,
The guitar is ‘Brian’s Alvarez MPA 70. He first used id at AM somewhere around EP047 April 14. Yes lots of us have noted what a great sounding little guitar it is. Several members have bough into Alvarez as a result. The MPA70 seems to be hard to find these days too.
Regards JohnStrat

tommc says

Thanks for the info.

Brian says

I don’t work in a music store, but probably should – I’m in them enough 🙂

mitchellwolfson says

Brian, what happened to the white background?

Colin L says

This is great, I want more old songs like this. How about the old Charlie Patten song, Big Jim Lee? This was covered recently by Samantha Fish, and her version is fantastic.

Thanks for this lesson Brian. More like this. I love these old jazz standards and this lesson really helped me and inspired me. Thanks

blake d says

Love this one – going to be a challenge but this one I’m going to learn from beginning to end.

Would love to see more of these – is “”Summertime” in the public domain?

Steve M says

Enjoying this greatly!

jlg says

Great lesson. Love breaking into that natural minor scale.

james l says

Really cool groove Brian just what I needed reminds me of a lovely French waitress I used to know

mitchellwolfson says

Great lesson. One observation- at about 4:19 of Part 2, Brain says you slide down on the 1st string to the 9th fret. Actually you slide down to the 7th fret.

Denis Hubert D says

Hmmm….just luv this Gitano – Gypsy – Manouche style jazzy progressions! More, more !

George M says

Love the Public Domain Songs Brian style! I can hear a Brian version of “Danny Boy” in my head. Just a hint… maybe 🙂

Two Below says

Outstanding, as always. It’s a simple lesson that makes us sound like guitar players. That’s the goal.

jjm says

Thanks Brian …. love it!

Steve H says

Brian, Nice job on this old time standard. I learned from watching.

Paul S says

Wonderful song to learn, thank you Brian. I’ve looked at lots of versions, some of which are easier to learn – some harder (finger style playing), but this is by far the most rewarding and well worth the effort to learn for slow learners like me.

Others members have said how quickly my playing will improved when i first joined the Active Melody community – little did I know how right they would be (after all these years of struggling to get nowhere fast). My sincere thanks to you Brian and all my fellow guitarists in arms.

John J says

This is why I chose A M rather than “the bouncy ball approach” I love dabbling with different styles. Keep up the good work Brian..

Bill C says

Great song. It is easier for me to learn songs that I already have the basic tune in my head. Your original compositions are very good but it would be good for some people if there were familiar songs sprinkled in.

KYTKA l says

Thank you Brian for all your work,you are amazing teacher and player ,your passion is contagious.The fact you teaching all your own material makes my memory working harder,what is really good part of your teaching as well./What strings this MPA Alvarez likes?/

Francesco M says

Great , I love this stuff . I think it’s got that Django Reinhardt style , that is really cool.
I want more, Thanks

Cary says

I love going back into the vault to revisit treasures like this!

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