The will never be another you ноты

«There Will Never Be Another You» Sheet Music

Harry Warren, Shirley Bassey, Kenny Werner and 5 more

Browse our 12 arrangements of «There Will Never Be Another You.» Sheet music is available for Piano, Voice, Guitar and 3 others with 9 scorings and 1 notation in 15 genres. Find your perfect arrangement and access a variety of transpositions so you can print and play instantly, anywhere.

Lyrics begin: «This is our last dance together, tonight soon will be long ago and in our moment of parting, this is all I want you to know there will be many other nights like this and I’ll be standing here with someone new.»

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«There Will Never Be Another You»
Sheet music for Piano

There Will Never Be Another You

composed by Harry Warren

Scoring: Piano/Vocal/Chords

Instruments: Piano, Voice

Pages: 2

Lyrics: Contains partial lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

by Shirley Bassey

Scoring: Piano/Vocal/Guitar, Singer Pro

Instruments: Guitar, Piano, Voice

Pages: 5

Lyrics: Contains complete lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

composed by Harry Warren

Scoring: Piano/Vocal/Guitar

Instruments: Guitar, Piano, Voice

Pages: 3

Lyrics: Contains complete lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

by Kenny Werner

Scoring: Instrumental Solo, Transcription

Instruments: Piano

Pages: 14

Lyrics: Does not contain lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

composed by Harry Warren

Scoring: Instrumental Solo

Instruments: Piano

Pages: 3

Lyrics: Does not contain lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

by Phillip Keveren

Scoring: Instrumental Solo

Instruments: Piano

Pages: 2

Lyrics: Does not contain lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

composed by Harry Warren

Scoring: Piano/Vocal/Chords

Notation: Easy Piano

Instruments: Piano, Voice

Pages: 3

Lyrics: Contains partial lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

by PianoGroove

Scoring: Instrumental Solo, Piano/Chords

Instruments: Piano

Pages: 4

Lyrics: Does not contain lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

by Alex Millward

Scoring: Instrumental Solo

Instruments: Piano

Pages: 4

Lyrics: Does not contain lyrics

Product Type: Digital Sheet Music

«There Will Never Be Another You»
Sheet music for Voice

There Will Never Be Another You

composed by Harry Warren

Scoring: Piano/Vocal/Chords

Instruments: Piano, Voice

Pages: 2

Lyrics: Contains partial lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

by Shirley Bassey

Scoring: Piano/Vocal/Guitar, Singer Pro

Instruments: Guitar, Piano, Voice

Pages: 5

Lyrics: Contains complete lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

composed by Harry Warren

Scoring: Piano/Vocal/Guitar

Instruments: Guitar, Piano, Voice

Pages: 3

Lyrics: Contains complete lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

from Iceland

Scoring: Lyrics/Melody/Chords, Leadsheet

Instruments: Voice, C Instrument

Pages: 2

Lyrics: Contains complete lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

composed by Harry Warren

Scoring: Piano/Vocal/Chords

Notation: Easy Piano

Instruments: Piano, Voice

Pages: 3

Lyrics: Contains partial lyrics

Product Type: Digital Sheet Music

«There Will Never Be Another You»
Sheet music for Guitar

There Will Never Be Another You

by Shirley Bassey

Scoring: Piano/Vocal/Guitar, Singer Pro

Instruments: Guitar, Piano, Voice

Pages: 5

Lyrics: Contains complete lyrics

Product Type: Digital Sheet Music

There Will Never Be Another You

composed by Harry Warren

Scoring: Piano/Vocal/Guitar

Instruments: Guitar, Piano, Voice

Pages: 3

Lyrics: Contains complete lyrics

Product Type: Digital Sheet Music

«There Will Never Be Another You»
Sheet music for Alto Saxophone

There Will Never Be Another You

by Kevin Busse

Scoring: Instrumental Solo, Transcribed Solo

Instruments: Alto Saxophone

Pages: 4

Lyrics: Does not contain lyrics

Product Type: Digital Sheet Music

«There Will Never Be Another You»
Sheet music for C Instrument

There Will Never Be Another You

from Iceland

Scoring: Lyrics/Melody/Chords, Leadsheet

Instruments: Voice, C Instrument

Pages: 2

Lyrics: Contains complete lyrics

Product Type: Digital Sheet Music

«There Will Never Be Another You»
Sheet music for Tenor Saxophone

There Will Never Be Another You

by Kevin Busse

Scoring: Instrumental Solo

Instruments: Tenor Saxophone

Pages: 4

Lyrics: Does not contain lyrics

Product Type: Digital Sheet Music

Источник

“There Will Never Be Another You” Transcription

There Will Never Be Another You Transcription

In this lesson we will explore how you can develop your ability to add fills and other melodic decoration to the tunes you are playing.

We’re going to use the tune «There Will Never Be Another You» to demonstrate this. This is a great tune to practice fills because there is a lot of space in the melody.

In this lesson we will explore the following topics:

• swing feel
• approach patterns and enclosures
• chord tone soloing and resolving into chord tones
• incorporating turns into lines
• using chromaticism
• super imposing the blues scale over chord sequence

Lesson Downloads

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Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson.

Related Lessons

How To Play Swing Rhythm

First, we break down the anatomy of a swing line and we will talk about the variables and dynamics of swing that you can add to your playing today.

Approach Patterns Jazz Piano

The concepts we’ll be focusing on are target notes, approach patterns and chromaticism. Understanding these principles will give you line structure.

There Will Never Be Another You Tutorial

We start off playing the tune very freely in a rubato manner and the second time through we will firmly establish the rhythm and timing.

Practice Tips

From listening to your records, make note of anything you like, in mm:ss format, and then attempt to transcribe it in your practice time.

Start off transcribing single note melody lines.

For more information on the Transcription Exercises, and how they can benefit your playing. head over to the transcription thread in the community/forum area of the website.

Transcription is hands down the most time effective way to improve at jazz. It’s very difficult to begin with (hence the forum thread) but it gets easier and easier until it becomes second nature to hear a line and find the notes almost instantly.

Transcription is the key to learning improvisation.

Comments

George Lancaster says

Thanks again Hayden for a brilliant tutorial on transcription and improvisation . You mentioned the major 7th and a flatted 7th which is just a fragment and total makeup of the dominant bebop scale that is used a great deal in the jazz bebop language and I totally agree via transcription is the arsenal for learning the jazz language. Thank you so very much for such excellent tutorials that are worth all it’s gold and highly high priced in a jazz music conservatory or college. I love you for this and your time and efforts for sharing this with us.

My pleasure George, thanks for the interesting and insightful comment – re. the dominant bebop scale.

I’d recommend ‘testing the water’ with the minor 7th/major 7th every time you are playing over a minor chord, not that you would want to use it every time, but practicing like this will help you visualise those two tones. As you say it’s one of the hallmarks of the bebop sound… incredibly useful and it will makes your solos sound like real jazz.

Yes I also completely agree that “transcription is the key to learning the jazz language” … you have to spend the time to listen to this music, really listen to it. And that’s what transcription is… you have to listen over and over and over again to figure out the notes and in the process the rhythm and articulation is ingrained in you.

It has done wonders for my own playing, and I want to share this with all of my students. I don’t want to force my own style of jazz on my students, I’m trying to teach you how to learn, if that makes sense.

Instead of just watching and copying my hands move, I want to empower all of my students to search for the sound they want, and then share their findings with the community.

The sooner the student understands the importance of transcription, the better. I wish I had figured this out sooner!

I appreciate the feedback George… and it makes me very happy to hear your comments. If I can help you with anything just fire over an email.

Источник

There Will Never Be Another You

There Will Never Be Another You is one of my favorite jazz standards. I love the melody and the chord changes are easy, but not too easy to improvise over. The song was first recorded in 1942 by clarinetist Woody Herman but wasn’t very well known until Chet Baker recorded his vocal rendition in 1954.

To help you get this tune under your fingers this lesson will introduce you to the theme and takes you through a voice leading study, a scale study, a chord comping study, and an arpeggio study.

Here is the complete audio track of what you will learn in this lesson:

Here’s the backing track:

THE JAZZ GUITAR CHORD DICTIONARY (FREE eBOOK)

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There Will Never Be Another You – Chord Melody Theme

The theme is arranged to play in a trio with bass and drums. Most of the harmonization is done with drop 2 chord voicings.

There Will Never Be Another You has an A B1 A B2 structure. The second A has the same arrangement as the first A.

The chord diagrams in between the notation and the tabs are a reference only, to see from which chord the used voicings are derived. Fret only the chord notes as written in the tabs, no need to fret the entire chord.

There Will Never Be Another You – Voice Leading Solo

In the first solo on A, I put the emphasis on voice leading.

Voice leading in improvisation is like a skeleton you can build your guitar solo around. The way it works is by arranging a smooth, harmonious line that follows the chord changes and in which the most important notes of a chord (3 and 7 + tensions) fall on the strong beats. A voice leading usually doesn’t use large intervals.

In the study below, I’ve put 2 voice leadings, one on the high notes , one on the low notes . The orange voice leading (mainly) follows the 3ds of the chords, the blue one (mainly) follows the 5ths of the chords.

Источник