This foolish things ноты

These Foolish Things Tutorial

These Foolish Things Tutorial

These Foolish Things is a well-known jazz ballad written in the key of Eb Major. The tune has an up-beat and bouncy vibe which can also be played at faster tempos using the same chord voicings.

The tonality is primarily major and it follows an A1 – A2 – B – A2 form. The A sections are relatively straight forward to play and there are some more challenging chords and changes in the B section.

There are a few big jumps in the melody and so it’s important to get the correct fingering in order to play the changes smoothly. We’re going to jump straight in with some two handed voicings and then add in some upper structures and chord substitutions here and there.

The arrangement I’ve put together is quite accessible and then we will revisit the tune at a later date to incorporate block chord harmony which can be used throughout the tune.

Related Lessons

Passing Tones Tutorial

Now you have an understanding of a basic improvised line, we will now take it a step further with non diatonic passing tones and chromaticism.

Advanced Upper Structures

In this lesson we explore some advanced applications of upper structure triads in context of jazz standards we have covered.

Understanding Sus Chords

We start the lesson by recapping the basic theory behind sus chords and then explore them in context of major and minor 251s

Источник

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These Foolish Things

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Перевод: Ноты Джек Стрейчи — These Foolish Things .

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Источник

Перевод песни These foolish things (Bryan Ferry)

These foolish things

Эти глупые вещи

Oh will you never let me be?
Oh will you never set me free?
The ties that bound us, are still around us
There’s no escape that I can see
And still those little things remain
That bring me happiness or pain

A cigarette that bears a lipstick’s traces
An airline ticket to romantic places
And still my heart has wings
These foolish things remind me of you
A tinkling piano in the next apartment
Those stumbling words
That told you what my heart meant
A fairground’s painted swings
These foolish things remind me of you

You came, you saw, you conquered me
When you did that to me
I somehow knew that this had to be
The winds of March that make my heart a dancer
A telephone that rings — but who’s to answer?
Oh, how the ghost of you clings
These foolish things remind me of you

Gardenia perfume lingering on a pillow
Wild strawberries only seven francs a kilo
And still my heart has wings
These foolish things remind me of you
The park at evening when the bell has sounded
The «Ile de France» with all the gulls around it
The beauty that is Spring’s
These foolish things remind me of you

I know that this was bound to be
These things have haunted me
For you’ve entirely enchanted me
The sigh of midnight trains in empty stations
Silk stockings thrown aside,
Dance invitations
Oh, how the ghost of you clings
These foolish things remind me of you

First daffodils and long excited cables
And candle lights on little corner tables
And still my heart has wings
These foolish things remind me of you
The smile of Garbo and the scent of roses
The waiters whistling
as the last bar closes
The song that Crosby sings
These foolish things remind me of you

How strange, how sweet, to find you still
These things are dear to me
That seem to bring you so near to me
The scent of smouldering leaves
The wail of steamers
Two lovers on the street
Who walk like dreamers
Oh, how the ghost of you clings
These foolish things remind me of you
Just you.

О, ты никогда не оставишь меня в покое?
О, ты никогда не освободишь меня?
Связывающие нас узы все еще крепки.
Нет выхода, который я бы увидел.
И все же те мелочи остаются,
Что приносят мне счастье или боль.

Сигарета, со следами губной помады,
Авиабилет в романтические места
И мое сердце, все еще окрыленное,
Эти глупые вещи напоминают мне о тебе.
Звуки пианино в соседней квартире,
Те запинающиеся слова,
Которые раскрывали тебе мое сердце,
Покрашенные качели на ярмарке,
Эти глупые вещи напоминают мне о тебе.

Ты пришла, ты увидела, ты победила меня.
Когда ты сделала это со мной,
Я как-то знал, что это должно быть.
Ветры марта, что сделали мое сердце танцором,
Телефон, который звонит, но кто ответит?
О, как твой образ стоек,
Эти глупые вещи напоминают мне о тебе.

Стойкий аромат гардении на подушке,
Земляника всего по семь франков за кило
И мое сердце, все еще окрыленное,
Эти глупые вещи напоминают мне о тебе.
Этот вечерний парк, когда звонят в колокол,
«Иль де Франс» 1 , окруженный чайками,
Красота весны,
Эти глупые вещи напоминают мне о тебе.

Я знаю, что это обязательно должно было быть.
Эти вещи преследовали меня,
Потому что ты меня полностью очаровала.
Вздохи полуночных поездов на пустых станциях,
Шелковые чулки, отброшенные в сторону,
Приглашения на танец.
О, как твой образ стоек,
Эти глупые вещи напоминают мне о тебе.

Первые нарциссы, и долгие пылкие телеграммы,
И огоньки свечи на угловых столиках,
И мое сердце, все еще окрыленное,
Эти глупые вещи напоминают мне о тебе.
Эта улыбка Гарбо и аромат роз,
Эти насвистывающие официанты
Последних закрывающихся баров,
Эта песня, что поет Кросби,
Эти глупые вещи напоминают мне о тебе.

Как странно, как мило все еще найти тебя.
Эти вещи мне дороги.
Они, кажется, приближают тебя ко мне.
Этот запах тлеющих листьев,
Этот вопль пароходов,
Двое любящих на этой улице,
Что гуляют, как мечтатели.
О, как твой образ стоек,
Эти глупые вещи напоминают мне о тебе,
Только о тебе.

Источник

This foolish things ноты

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Home Overview Songs Biographies History Theory Search Bookstore Articles About These Foolish Things ( 1936 ) Clifford Brown Chet Baker;Bobby Jaspar;. Thelonious Monk Ella Fitzgerald Lester Young Frank Sinatra Jimmy Smith Erroll Garner “. on Verve Jazz Masters 6 Ella Fitzgerald sings a 350-plus word version that lasts nearly seven and one half minutes.”

AKA These Foolish Things Remind Me of You Rank 28 Music Jack Strachey Harry Link Lyrics Eric Maschwitz S inger/actress Dorothy Dickson introduced “These Foolish Things” in the 1936 British musical comedy Spread it Abroad . A modest hit, the production opened at London’s Saville Theater on the first of April and ran for 209 performances. French actor Jean Sablon was originally chosen to sing “These Foolish Things,” but the death of King George V in January meant the show was delayed. In the meantime Sablon took a position starring in the American radio series “The Magic Key.” Dorothy Dickson never did record the song, but it still became a major hit in the United States with no fewer than five recordings making the top 20 that summer (see the visitor’s comment below). Benny Goodman’s rendition, featuring vocalist Helen Ward, was first on the charts, holding the number one position for two weeks. All told, in 1936, the song appeared by: Benny Goodman and his Orchestra (Helen Ward, vocal, #1) Teddy Wilson and His Orchestra (Billie Holiday, vocal, #5) Nat Brandywynne and His Stork Club Orchestra (Buddy Clark, vocal, #6) Carroll Gibbons and His Orchestra (#8) Joe Sanders and His Orchestra (#17) In short time Jean Sablon did get an opportunity to sing the song, and in 1936 he recorded “These Foolish Things” as “Ces Petites Choses.” In 1947 Red Ingle and the Natural Seven recorded the novelty number “Them Durn Fool Things,” based on “These Foolish Things,” which rose to number twenty-six. With a book and lyrics by Herbert Farjeon and music by William Walker, Spread it Abroad had an excellent cast including Dorothy Dickson, Ivy St. Helier, Nelson Keys, Walter Crisham, Tessa Deane, Lyle Evans, and Michael Wilding, the future husband of Elizabeth Taylor. Chart information used by permission from Joel Whitburn’s Pop Memories 1890-1954 More information on this tune. Robert Gottlieb, Robert Kimball Reading Lyrics Pantheon Hardcover: 736 pages (This book contains anecdotes and the lyric for “These Foolish Things” as well as other lyrics by Maschwitz.) See the Reading and Research page for this tune for additional references. This section suggests definitive or otherwise significant recordings that will help jazz students get acquainted with “These Foolish Things.” These recordings have been selected from the Jazz History and CD Recommendations sections. While there are many important instrumental versions of “These Foolish Things,” particularly those by Lester Young (With the Oscar Peterson Trio ) and Thelonious Monk (Thelonious Monk Trio (20 Bit Mastering) ), the truly definitive jazz version of the tune comes from a vocalist. Billie Holiday’s version from 1936 (The Quintessential Billie Holiday, Vol.2: 1936 ) is an all-time classic, displaying the depth of her musical relationship with pianist/bandleader Teddy Wilson (who himself had a strong relationship with the tune) and showing her remarkable ability to inject lightheartedness and pathos into the same performance. “These Foolish Things” is a song about memories, presented as a list. The introductory verse begins by mentioning a love affair from the past, then the lead-in to the refrain declares, “and still those little things remain, that bring me happiness or pain.” The refrain then follows an A1-A2-B-A2 form where every A section starts by listing the “things,” such as “the winds of March that make my heart a dancer,” and closes with “these foolish things remind me of you.” A core set of lyrics is nearly always sung. There also are seldom-heard lyrics that are included in longer recitations, and frequently vocalists may sing a stanza or two of their own. On her Verve Jazz Masters 6 CD, Ella Fitzgerald sings a 350-plus word version that lasts nearly seven and one half minutes. -JW Musical analysis of “These Foolish Things” Original Key Eb major, turning to G minor and Bb major during the bridge Form A1 – A2 – B – A2 Tonality Primarily major; brief shift to minor during first four measures of “B” Movement Primarily step-wise with several skips down and up or vice-versa; occasional upward leaps of a sixth or downward of a fifth. For a ballad, this could almost be described as a “bouncy” melody, making full use of the entire range of a tenth. The chord progression is I – vi – ii – V7, similar to “Heart And Soul” and “I Got Rhythm.” But it resolves differently when the V chord turns minor, becoming a ii/IV. The IV is followed by VI7 going to ii. In the original key, this is Bbm7– Eb7 – Ab – C7 – Fm. This sequence does not resolve to the tonic key until the second time through “A.” Transition into the minor key during the “B” section is accomplished by dropping the tonic chord a half step which easily resolves to the key of iii (G minor, in the original). From there, it is a simple matter to return to the tonic via the circle of fifths. K. J. McElrath — Musicologist for JazzStandards.com Teddy Wilson was a fabulous pianist who had an unerring sense for material and talent. He never played a bad note or made a record that wasn’t, in musicians’ parlance, “tasty.” He recorded “These Foolish Things” with Billie Holiday on vocal and Ben Webster on tenor saxophone. Wilson recorded a solo version a few years later and continuedto play it throughout his career. It has become an integral part of many jazz musicians’ repertoires; the list of artists who recorded it is staggering. Saxophonists seem to have a special fondness for it, from swing-era players like Don Byas and Lester Young, bebop masters Stan Getz and Art Pepper, to modern-day players Harry Allen and Scott Hamilton (who play in a more swing-era oriented style). Источник Оцените статью Вам также может понравиться Яцына павел лопата гитара Яцына павел лопата гитара Концерт в Симферополе. Яхин концерт для фортепиано с оркестром ноты Яхин концерт для фортепиано с оркестром ноты Яхин Рустем Яся польку танцевала ноты Тема: Осенние жемчужинки — 2 Опции темы Отображение Ярмарка произведение для фортепиано «Гопак из оперы «Сорочинская ярмарка»: ноты для фортепиано Ярмак сердце пацана укулеле Ярмак «Сердце пацана» аккорды, как играть Ярко красно желтыми цветами ноты для Ярко красно желтыми цветами ноты для Музыкальное развитие Японский кейс для гитары Японский кейс для гитары You are using an outdated browser. 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